In the first major chapter we will delve into two tools, two different techniques. These are five lessons in the first chapter. They are quite technical, but also give you a lot of different tricks that simply make working with AI as faster and your life easier.
在第一章中，我们将深入探讨两个工具，两种不同的技术。这一章有五个课程。它们相当技术性，但也给你提供了许多不同的技巧，使得与人工智能的工作更快，生活更轻松。

We create something from nothing, and it will be perfect in no way. But it doesn't mean we shouldn't have control over it. So, we show different aspects of when to finish, and how to start.
我们从无到有创造东西，但这并不意味着它会完美无缺。但这并不意味着我们不应该对其进行控制。因此，我们展示了何时结束以及如何开始的不同方面。
What types of control we have in this process (e.g. generation through simple selection, and what that selection should be), what we can transform, what we can achieve, and how it affects our workflow.
在这个过程中我们有哪些控制类型（例如，通过简单选择生成，以及该选择应该是什么），我们可以转变什么，我们可以实现什么，以及这如何影响我们的工作流程。

When it comes to Creative Upscalers, we showcase all our tricks, going through everything technically. It might seem like using Upscale is just a click, but there are several hidden logics and functions we can take advantage of.
当谈到创意放大器时，我们展示了所有的技巧，逐步讲解所有技术细节。使用放大器似乎只是一次点击，但我们可以利用几种隐藏的逻辑和功能。
One of the cooler lessons also shows when it works and when it doesn't.
其中一个更酷的课程还展示了何时有效以及何时无效。

1. Creative upscalers - Part 1 Basics
1. 创意放大器 - 第 1 部分 基础
2. Creative upscalers - Part 2 Tips and Tricks
2. 创意放大器 - 第 2 部分 提示与技巧
3. Creative upscalers - Laundry List
3. 创意放大器 - 清单
4. Generative Fill - Part 1 Basics
4. 生成填充 - 第 1 部分 基础
5. Generative Fill - Part 2 Guided Generation
生成填充 - 第 2 部分 引导生成

Short and sweet lesson that aims to shift our mindset a bit. It emphasizes that not everything has to be perfect in 3D, and control isn't as crucial as you might think. We've always been giving up some control, but now we can do it completely honestly and consciously.
这是一个简短而精炼的课程，旨在稍微改变我们的思维方式。它强调在 3D 中并不需要一切都完美，控制并不像你想象的那么重要。我们一直在放弃一些控制，但现在我们可以完全诚实和自觉地做到这一点。

We’ll discuss three images. The foreground in the first one was done in 20 minutes, that building in something around an hour, and the facade of the church in 30 minutes.
我们将讨论三幅图像。第一幅的前景花了 20 分钟，那个建筑大约花了一个小时，而教堂的外立面花了 30 分钟。
We show various tricks that can't be done in 3D because it would take too long, and can't be done in matte painting either because you’d need cutouts. But by combining both, you can take a nice shortcut.
我们展示了各种在 3D 中无法完成的技巧，因为那会花费太长时间，也无法在哑光绘画中完成，因为你需要剪切。但通过结合两者，你可以走一条不错的捷径。

The next chapter will be a break down of a Mediterranean interior scene.
下一章将分解一个地中海室内场景。

The first lesson is Material Overview. We show in it how far you have to go with shading to get the most out of AI. Because if you do too little in 3D, AI will be practically useless. So, where is that sweet spot? How to manage albedo, glossiness and normal maps?
第一课是材质概述。我们展示了在阴影处理上需要走多远才能充分利用 AI。因为如果在 3D 中做得太少，AI 几乎是无用的。那么，那个甜蜜点在哪里？如何管理反照率、光泽度和法线贴图？

We break it down based on this scene and show some shortcuts you can take.
我们根据这个场景进行拆解，并展示一些可以采取的快捷方式。

It’s less AI, and more 3D oriented lesson. Particularly 3D lighting-heavy, And it’s the last lesson based solely on 3D. This is the moment when we want to take care of the lighting in 3D because when the lighting isn't right, the AI starts hallucinating like crazy.
这不是更多的人工智能，而是更偏向于 3D 的课程。特别是以 3D 灯光为主的课程。这是最后一节完全基于 3D 的课程。此时我们想要关注 3D 中的灯光，因为当灯光不正确时，人工智能会开始疯狂地产生幻觉。
And for all of you who’s been waiting for the interior masterclass, we'll extensively cover interior lighting, step by step, and explain what to do to keep control.
对于所有等待室内大师班的朋友们，我们将逐步深入讲解室内灯光，并解释如何保持控制。

Another lesson will be a treat for all those enthusiasts who love color and enjoy geeking out on the technical aspects of it. Not gonna lie. This is a very technical lesson, but if you're not comfortable with the frame buffer, it will be very useful to you.
另一节课将是所有热爱色彩并享受技术细节的爱好者的盛宴。说实话，这是一节非常技术性的课程，但如果你对帧缓冲不太熟悉，这对你会非常有用。

Toward the end of the chapter we're returning to integrating AI and 3D and make our first approach to embedding a character in a full scene. The workflow is very, very funny, and our 3D output is straight up ugly, but we'll make it pretty in post-production.
在本章的最后，我们将回到整合人工智能和 3D，并首次尝试在完整场景中嵌入角色。这个工作流程非常有趣，而我们的 3D 输出看起来非常丑陋，但我们会在后期制作中让它变得美观。
This whole workflow is meant to inspire you to approach post-production with the anything-is-possible mindset.
整个工作流程旨在激励你以“万事皆有可能”的心态来进行后期制作。

7. Mediterranean - MATERIAL OVERVIEW
7. 地中海 - 材料概述
8. Mediterranean - LIGHTING OVERVIEW
8. 地中海 - 灯光概述
9. Mediterranean - Tone-Mapping
9. 地中海 - 色调映射
10. Mediterranean - Deep storytelling
10. 地中海 - 深度叙事
11. Mediterranean - 3d + Midjourney
11. 地中海 - 3D + Midjourney
12. Mediterranean - Post-pro - Firefly
12. 地中海 - 后期制作 - Firefly

Okay, another big chapter, and another way to dive into deep storytelling. Here we discuss a penthouse scene, it's a nighttime scenario, so as you might expect, we will be talking about lighting. The approach here will be different though, more advanced, but also very fresh.
好的，又一个大章节，另一个深入叙事的方式。在这里我们讨论一个顶层公寓场景，这是一个夜间场景，所以你可能会想到，我们将讨论照明。不过这里的方法会有所不同，更加高级，但也非常新颖。

There are four lessons on character generation in Midjourney. We will prompt until we get a character with the right angle, the right style, and the right activity. First lesson is AI-heavy. We show you what worked and what was the thought process behind it.
在 Midjourney 中有四节关于角色生成的课程。我们将提示，直到我们得到一个角度正确、风格合适、活动恰当的角色。第一节课是以 AI 为主的。我们会展示什么有效，以及背后的思考过程。
If prompting feels a bit intimidating to you, I feel this is a good place to get started with Midjourney.
如果提示让你感到有些畏惧，我觉得这是一个很好的开始使用 Midjourney 的地方。

Lesson 7 of this chapter covers nighttime lighting in interiors. It will involve a different logic, a different process, focusing on different aspects, and different color management than daytime lighting.
本章的第七节课涵盖了室内的夜间照明。这将涉及不同的逻辑、不同的过程，关注不同的方面，以及与白天照明不同的色彩管理。
We'll go through it step by step with additional commentary and analysis in our proven CommonPoint style.
我们将逐步进行，并在我们经过验证的 CommonPoint 风格中提供额外的评论和分析。

And in the final lesson we put it all together. This is a great example of real-life post-production involving AI and 3D. We encourage you to use AI to disrupt your old 3D workflow, from modeling, shading, lighting, to post-production.
在最后一节课中，我们将所有内容整合在一起。这是一个涉及 AI 和 3D 的真实后期制作的绝佳示例。我们鼓励你使用 AI 来打破你旧的 3D 工作流程，从建模、着色、照明到后期制作。

13. Penthouse - Deep Storytelling 2
13. 顶层公寓 - 深度叙事 2
14. Penthouse - Midjourney - Part 1 Basics
14. 顶层公寓 - Midjourney - 第 1 部分 基础
15. Penthouse - Midjourney - Part 2
15. 顶层公寓 - Midjourney - 第 2 部分
16. Penthouse - Midjourney - Part 3
16. 顶层公寓 - Midjourney - 第 3 部分
17. Penthouse - Midjourney - Part 4 Prompt Commentary
17. 顶层公寓 - Midjourney - 第 4 部分 提示评论
18. Penthouse - 2D do 3D - Tripo3d
18. 顶层公寓 - 2D 到 3D - Tripo3d
19. Penthouse - LIGHTING OVERVIEW
19. 顶层公寓 - 灯光概述
20. Penthouse - post-production
20. 顶层公寓 - 后期制作

This is just a single, short but quite hefty lesson focused on Parisian interior scene. We’ll walk you through the scene, starting with the lighting, the critical elements, how the scene is constructed, and finishing with the compositional intent.
这只是一个简短但相当重要的课程，专注于巴黎的室内场景。我们将带您逐步了解这个场景，从照明、关键元素、场景构建开始，最后讨论构图意图。

We'll revisit what we did in Midjourney, and talk a bit more about prompting: what worked, what the process was like. We use similar tools as before, but show you even more examples. It gives you that confidence that maybe if I approach it this way, it will work out too.
我们将重温在 Midjourney 中所做的工作，并进一步讨论提示：什么有效，过程是怎样的。我们使用与之前相似的工具，但会展示更多的例子。这让您有信心，也许如果我以这种方式接近，它也会成功。

Another short lesson, another interior, another story from start to finish. All those elements were created by AI. These are furniture pieces generated by Midjourney, and than turned into full 3D geometry.
又一节简短的课程，又一个室内场景，又一个从头到尾的故事。所有这些元素都是由 AI 创建的。这些是由 Midjourney 生成的家具，然后转化为完整的 3D 几何体。

It's a handy technique for when clients hand us some terrible models, sometimes from antique shops, and there’s no way to find the models anywhere.
这是一个方便的技术，当客户给我们一些糟糕的模型时，有时来自古董店，而这些模型在任何地方都找不到。

Of course, these models aren't perfect, but again, we encourage the idea that you don't need hyper-realistic output and you don't need to get all the details at the 3D stage. With AI you can do that in post-production.
当然，这些模型并不完美，但我们再次鼓励这样的想法：您不需要超现实的输出，也不需要在 3D 阶段获取所有细节。通过 AI，您可以在后期制作中做到这一点。
We go through many different examples, and various ways to recover those details in post-production.
我们通过许多不同的例子，以及在后期制作中恢复这些细节的各种方法。

We talk about building a scene and what needs to be taken care of. Now, we can actually have great-looking people in our scenes, (well, we can - after upscaling) so it's worth including them in.
我们谈论如何构建场景以及需要注意的事项。现在，我们实际上可以在场景中拥有看起来很棒的人物（好吧，经过放大后可以），所以值得将他们包含在内。
But if you haven't been a post-production artist, you might not know how to set up entourage directly in a 3D scene. So we’ll walk you through the process.
但如果你没有做过后期制作艺术家，你可能不知道如何在 3D 场景中直接设置陪衬。因此，我们将带你了解这个过程。

We talk about assets, how to select them and why, how to place and arrange people and make sure they are diverse enough. Because the design decisions we make, will be embedded in the image. All AI can give us is production value.
我们谈论资产，如何选择它们以及为什么，如何放置和安排人物，并确保他们足够多样化。因为我们所做的设计决策将嵌入到图像中。所有 AI 能给我们的只是制作价值。

We also talk a bit about the lighting, and do a small recap about maintaining control over lighting in exteriors, just as we did in interiors. We discuss some cool aspects, and finish it of with post-production. We refine the details of our imperfect 3D models.
我们还稍微谈了一下照明，并对如何在外部保持对照明的控制进行了小结，就像我们在内部所做的那样。我们讨论了一些很酷的方面，并以后期制作结束。我们细化我们不完美的 3D 模型的细节。
We’ll use many techniques, and I think you’ll be interesed to see the level of care required to create really great images.
我们将使用许多技术，我认为你会对创建真正出色的图像所需的细致程度感到兴趣。

23. Exterior - SCENE OVERVIEW - Arch/Landscape
23. 外部 - 场景概述 - 建筑/景观
24. Exterior - SCENE OVERVIEW - Entourage
24. 外部 - 场景概述 - 陪衬
25. Exterior - LIGHTING BREAKDOWN
25. 外部 - 照明分析
26. Exterior - Post-production
26. 外部 - 后期制作

This is a crazy lesson, where beside all the lighting, framebuffer, and so on, we also heavily cover post-production.
这是一个疯狂的课程，在所有的灯光、帧缓冲等之外，我们还大量涉及后期制作。
We show you again how to push AI to the absolute limit, how to manage detail, how to force those hallucinations, and a lot of post-production generation enhancement. Those techniques are very cool, very organic, and very effective.
我们再次向你展示如何将人工智能推向极限，如何管理细节，如何强迫那些幻觉，以及许多后期生成增强。这些技术非常酷，非常自然，也非常有效。

In this chapter we create an aerial, and all four lessons are about changing the lighting scenario with zero rendering. We change sunset to day and sunset to night.
在这一章中，我们创建一个空中视角，所有四节课都关于在零渲染的情况下改变光照场景。我们将日落变为白天，将日落变为夜晚。

It’s quite an experimental workflow, but it can really help you realize 3D isn't the most important thing. Sometimes you can just pull a rabbit out of a hat, and it comes in handy.
这是一种相当实验性的工作流程，但它确实可以帮助你意识到 3D 并不是最重要的。有时你可以从帽子里变出一只兔子，这会派上用场。

The first lesson is sort of a making-of, where we describe not only all the technical aspects we used—e.g. a lot of post-production —but also the “whys”. Like why did we shift that mountain 5 pixels to the left? Why that palm tree is that particular size? And so on.
第一节课有点像制作过程，我们不仅描述了我们使用的所有技术方面——例如大量的后期制作——还解释了“为什么”。比如，为什么我们将那座山向左移动了 5 个像素？为什么那棵棕榈树的大小是那个特定的尺寸？等等。
It's not just a technical approach but a creative one to understand how the geometry of the image works.
这不仅仅是一种技术方法，更是一种创造性的方法来理解图像的几何结构是如何工作的。

And we’ll talk about all of this in those very, very cool four lessons of the chapter.
我们将在这一章的四节非常非常酷的课程中讨论所有这些内容。

28. Aerial Making Of
28. 空中制作
29. Aerial Advanced Style Transfer 1/3
29. 空中高级风格迁移 1/3
30. Aerial Advanced Style Transfer 2/3
30. 空中高级风格迁移 2/3
31. Aerial Advanced Style Transfer 3/3
31. 空中高级风格迁移 3/3

In this lesson we discuss the story of the Polar Expedition image. We show you how we create great storytelling assets and draw various inspirations.
在这一课中，我们讨论极地探险图像的故事。我们展示如何创建出色的叙事资产并汲取各种灵感。

This image is also sort of a test of what we need to get close to the inspirations generated by Midjourney as much as possible. What limits us? And what the sketching process looks like? Because that’s what this image generally is - a sketch.
这幅图像也是我们尽可能接近 Midjourney 生成的灵感的测试。是什么限制了我们？草图过程是什么样的？因为这幅图像通常就是一幅草图。
It's really fun process that shows you how you can create things, and slowly enter the world of concept art.
这是一个非常有趣的过程，展示了你如何创造事物，并逐渐进入概念艺术的世界。

The last chapter is the Silk Road and the Kathmandu Image. This is the most detailed project of the entire masterclass, with eight lessons covering many different topics.
最后一章是丝绸之路和加德满都的图像。这是整个大师班中最详细的项目，共有八节课涵盖许多不同的主题。

At the beginning, we talk about the backstory of this image, why it was created, how to approach such concept art or matte painting images, and how to create them.
一开始，我们谈论这个图像的背景故事，为什么它被创造出来，如何处理这样的概念艺术或哑光绘画图像，以及如何创作它们。

Absolutely everything is broken down into its components. From research, that goes waaay beyond a ready-made mood board.
一切都被细分为其组成部分。从研究开始，这远远超出了现成的情绪板。
We literally start from how to educate ourselves to understand this reality, how to find key frames, and what the organic process of searching for color frames looks like in Midjourney, Leonardo, and Magnific. An enormous amount of research. One of my favorite lessons.
我们从如何教育自己以理解这个现实开始，如何找到关键帧，以及在 Midjourney、Leonardo 和 Magnific 中寻找色彩框架的有机过程是什么样的。大量的研究。这是我最喜欢的课程之一。

And then, of course, knowing the rules of this world, we need to create assets. Tons of assets. 2D and 3D. In different positions. With different lighting, etc. There's a whole lesson about the process and creating this frame from scratch.
然后，当然，了解这个世界的规则后，我们需要创建资产。大量的资产。2D 和 3D。处于不同的位置。具有不同的光照等。关于从头开始创建这个框架的过程有一整节课。
A timelapse showing what we set up and why? What the compositional reference is?
一个时间推移视频，展示我们设置了什么以及为什么？构图参考是什么？

It’s obviously a very packed lesson but even after post-production, we’re still not done. At the very end there's a separate lesson where we apply feedback. Based on this image, we have two rounds of revisions, which Bartek was very excited about.
这显然是一个非常充实的课程，但即使在后期制作之后，我们仍然没有完成。在最后还有一节单独的课程，我们应用反馈。基于这个图像，我们有两轮修订，Bartek 对此非常兴奋。
You can watch how it genuinely looks in practice. It's great to see that in real-life situations you can manage feedback with this workflow, and that 3D isn't the most important thing anymore.
你可以看到它在实践中真实的样子。在现实生活中，你可以通过这种工作流程管理反馈，这很棒，而 3D 不再是最重要的事情。

33. Silk Road - Collaborative mindset
33. 丝绸之路 - 协作思维模式
34. Silk Road - Research
34. 丝绸之路 - 研究
35. Silk Road - Research Midjourney
35. 丝绸之路 - 研究 Midjourney
36. Silk Road - Research Leondardo / Magnific
36. 丝绸之路 - 研究 Leondardo / Magnific
37. Silk Road - Asset Creation
37. 丝绸之路 - 资产创建
38. Silk Road - 3D Scene/Rendering
38. 丝绸之路 - 3D 场景/渲染
39. Silk Road - Post Production
39. 丝绸之路 - 后期制作
40. Silk Road - Feedback Loop
40. 丝绸之路 - 反馈循环