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IS A MODULAR DELAY SYSTEM WITH PRO AUDIO HERITAGE, ADVANCED PROCESSING, AND HIGH PERFORMANCE SIGNAL PATH 是一款具有专业音频传承、先进处理技术和高性能信号通路的模块化延迟系统
Make Room for New Memories. 为新回忆腾出空间。
LVX is what we’ve been dreaming of for many years. It is a Modular Delay System which breaks the paradigm of pre-set delay types in favor of freedom and flexibility. The architecture of LVX allows ultimate creative freedom to design a custom delay, exactly as you’ve dreamed of. We designed a completely new UI and experience from the ground up, to make a complex system immediately intuitive to navigate. LVX is built of discrete processing elements and control signal generators that we call Modifiers. They can be connected as desired for nearly infinite flexibility in crafting custom sounds. Experiencing the built in factory presets will demonstrate a variety of examples of the power within LVX. The true creative potential of LVX will be revealed as you discover all of the new ways to unveil your own vision. LVX 是我们多年梦寐以求的产物。作为模块化延迟系统，它打破了预设延迟类型的范式，追求自由与灵活。LVX 的架构赋予您终极创作自由，能打造出与梦想完全吻合的定制延迟效果。我们从头设计了全新的用户界面和交互体验，让这个复杂系统变得直观易用。LVX 由分立处理元件和我们称为"修饰器"的控制信号发生器构成，这些模块可按需连接，在音色定制上提供近乎无限的灵活性。体验内置出厂预设时，您将领略 LVX 蕴含的多样可能性。当您探索所有全新方式来实现个人创意时，LVX 真正的创作潜能将得以展现。
3 MAIN CONTROLLERS: C1, C2, C3 3 个主控制器：C1、C2、C3
When using LVX, 3 knobs are your main navigation controllers: C1, C2, C3. 使用 LVX 时，3 个旋钮是您的主要导航控制器：C1、C2、C3。
The other four knobs are your top level controls for TIME, FEEDBACK, MOD, and MIX. 另外四个旋钮是控制 TIME（时间）、FEEDBACK（反馈）、MOD（调制）和 MIX（混合）的顶层调节器。
7 HIGHLIGHTED FEATURES 7 大亮点功能
BACK PANEL CONNECTIONS 后板连接
02 - preset page (graphic view) 02 - 预设页面（图形视图）
When you first power up LVX, you will enter the Preset Page. By default, LVX is shipped in “GRAPHIC VIEW”. In GRAPHIC VIEW, 3 knobs are your navigation controllers: C1, C2, C3. The Preset Page consists of a preset bubble that contain the name and number. 2 FAVORITE PARAMETERS are controlled by C1\mathbf{C 1} and C2\mathbf{C 2} [located directly above the controllers]. [You can assign your favorite parameters per preset, to either the LL or RR side. Changes of the 2 favorited parameters are located in the SAVE AS PAGE. Details ahead. 首次启动 LVX 时，您将进入预设页面。默认情况下，LVX 以“图形视图”模式出厂。在图形视图中，三个旋钮（C1、C2、C3）是您的导航控制器。预设页面包含一个显示名称和编号的预设气泡。两个“最爱参数”由位于控制器正上方的 C1\mathbf{C 1} 和 C2\mathbf{C 2} 控制。[您可以为每个预设分配您最爱的参数至 LL 或 RR 一侧。这两个最爱参数的更改位于“另存为”页面中，详情后续说明。]
NOTE: GRAPHIC VIEW is designed to focus on 1 block and/or 1 parameter at a time per preset. [You have the option to switch to “TEXT VIEW” in GLOBALS -> EDIT PAGE. Favorite Parameters are also available in TEXT VIEW. 注意：GRAPHIC VIEW 设计为每个预设一次仅聚焦于 1 个区块和/或 1 个参数。[您可在 GLOBALS -> EDIT PAGE 中切换至“TEXT VIEW”模式。常用参数在 TEXT VIEW 中同样可用。
EDIT PAGE 编辑页面
From the PRESET PAGE, push C3 to enter EDIT PAGES. The EDIT PAGE is where you select categories and change parameters within each preset. The middle bubble is your category. Turn C3 to cycle through categories. Turn CI knob to carousel through the parameters. The colored bubble is your selected parameter within each category. Turn C2 to edit the selected parameter. 从预设页面，按下 C3 进入编辑页面。编辑页面用于选择类别并更改每个预设内的参数。中间的泡泡代表当前类别，旋转 C3 可在不同类别间切换。转动 CI 旋钮可循环浏览参数。彩色泡泡表示当前选中类别内的参数，旋转 C2 即可编辑所选参数。
UI MAP - [IN GRAPHIC VIEW)
From the PRESET PAGE [home]. push C3 to navigate into the EDIT PAGES [2nd level]. The 2nd level, consists of EDIT PAGES, GLOBALS. SYSTEM INFO and TACTILE PAGE that wrap around when turning C3. 从预设页面[主页]按下 C3 键可导航至编辑页面[第二层级]。第二层级包括编辑页面、全局设置、系统信息和触觉页面，通过旋转 C3 键可循环切换。
TACTILE PAGE
Turn knobs for TIME, FEEDBACK, MOD or MIX any time while editing, and the Tactile Pop-Up View [for detailed values] will temporarily show. [You can also turn “OFF” or disable the Tactile Pop-Up View in Globals] To have the TACTILE PAGE in persistent view, push C3\mathbf{C 3} from PRESET PAGE, then turn C3\mathbf{C 3} L from EDIT PAGE. 在编辑过程中随时旋转 TIME、FEEDBACK、MOD 或 MIX 旋钮时，Tactile Pop-Up View（用于显示详细数值）将暂时出现。[您也可以在 Globals 中将其“关闭”或禁用 Tactile Pop-Up View 功能] 若需保持 TACTILE PAGE 持续显示，请从 PRESET PAGE 按下 C3\mathbf{C 3} ，然后在 EDIT PAGE 旋转 C3\mathbf{C 3} L。
GLOBALS
Globals is located at the end of the Edit Page, after you cycle thru all categories. A shortcut to Globals is to start from Edit Page and turn C3 L. Globals is before System Info. Globals carousels the same way as the Edit Page but will be colorized in solid gold. Globals 位于编辑页面的末尾，在您浏览完所有类别之后。快速访问 Globals 的方法是从编辑页面开始，然后向左旋转 C3。Globals 位于系统信息之前。Globals 的轮播方式与编辑页面相同，但会以纯金色显示。
O4 - saving [save as page in graphic view) O4 - 保存 [在图形视图中另存为页面]
SAVE AS PAGE 另存为页面
Once edits are made within a preset, hold down C3 knob to enter SAVE AS PAGE. Sphere will change color. 在预设内完成编辑后，长按 C3 旋钮进入“另存为页面”模式，Sphere 设备将变换颜色。
You can change the name, change the preset number, select/deselect if this is one of up to 3 favorite presets [for the FAVORITES BANK located before Bank I] and assign your 2 favorite parameters on either the LL or RR side of the screen [located directly above Cl\mathbf{C l} and C2\mathbf{C 2} ]. 您可以更改名称、更改预设编号，选择/取消选择是否为最多 3 个收藏预设之一[位于 Bank I 之前的 FAVORITES BANK]，并在屏幕的 LL 或 RR 侧[直接位于 Cl\mathbf{C l} 和 C2\mathbf{C 2} 上方]分配您最喜爱的 2 个参数。
SELECTING FIELDS 选择字段
The name edit field will always be selected first when you enter the SAVE AS PAGE. Use C3 to select fields. You can navigate fields within the bubble and to the LL and RR parameter. The field selection order when turning C3R\mathbf{C 3} R starting from the name field is: name -> number -> L favorite parameter -> R favorite parameter -> heart [for favorite bank]. 进入“另存为”页面时，名称编辑框将始终被优先选中。使用 C3 键选择字段。您可在气泡内导航至各字段及 LL 与 RR 参数。从名称字段开始，转动 C3R\mathbf{C 3} R 时的字段选择顺序为：名称 -> 编号 -> 左收藏参数 -> 右收藏参数 -> 心形[用于收藏库]。
2 FAVORITE PARAMETERS (ASSIGNABLE TO EACH PRESET) 2 个最喜爱的参数（可分配给每个预设）
2 FAVORITE PARAMETERS can be assigned to each preset. They are located on each side of the preset bubble, directly above CI and C2\mathbf{C 2}. In the SAVE AS PAGE, turn C3 to select either the LL or RR field. The field will highlight as an outlined box AND a dot will appear on either side of the preset bubble to indicate which side is selected. Turn C1\mathbf{C 1} or C2\mathbf{C 2} to change parameter. HOLD C3 to save your assigned favorite parameter. 每个预设可以分配 2 个最喜爱的参数。它们位于预设气泡的两侧，直接在 CI 和 C2\mathbf{C 2} 上方。在“另存为”页面中，转动 C3 选择 LL 或 RR 字段。选中的字段会以轮廓框高亮显示，并且预设气泡的任一侧会出现一个点，指示哪一侧被选中。转动 C1\mathbf{C 1} 或 C2\mathbf{C 2} 来更改参数。长按 C3 保存您分配的最喜爱参数。
In the EDIT PAGE, if a parameter was assigned as a FAVORITE PARAMETER, a filled in LL or RR dot will appear to remind which side it was assigned. 在编辑页面中，若某参数被设为“收藏参数”，则会显示一个实心的 LL 或 RR 圆点，以提示该参数被分配至哪一侧。
Favorite parameters can also be quickly assigned to Cl or C 2 in the EDIT PAGE. The methods for quick assign of the favorite parameters are slightly different between Graphic View and Text View. In Graphic View, simply HOLD Cl to assign the current parameter to Cl or HOLD C2 to assign the current parameter to C 2 . In Text View, press and hold either C1\mathbf{C 1} or C2\mathbf{C 2} [depending if you want to assign the Left or Right Fav Param], and then turn the parameter up and down in the Edit Page that you would like to assign to the Favorite Parameter. 在编辑页面中，您还可以将常用参数快速分配给 Cl 或 C2。图形视图和文本视图之间快速分配常用参数的方法略有不同。在图形视图中，只需长按 Cl 将当前参数分配给 Cl，或长按 C2 将当前参数分配给 C2。在文本视图中，按住 C1\mathbf{C 1} 或 C2\mathbf{C 2} （取决于您想分配的是左侧还是右侧常用参数），然后在编辑页面中上下调整您想要分配给常用参数的参数值。
The L and R Favorite Parameters can also be quickly assigned [per preset] using our free editor/librarian called prEDITOR v2. L 和 R 收藏参数也可以通过我们免费的编辑器/库管理软件 prEDITOR v2 快速[按预设]分配。
SAVE PRESET OR CANCEL 保存预设或取消
Hold down C3 knob again to save. Or QUICK SAVE. 再次按住 C3 旋钮以保存。或快速保存。
To CANCEL a save, press any of the four footswitches. This will exit the SAVE AS PAGE without writing over your preset. If you cancel, no edits are saved. 要取消保存，请按下任意一个脚踏开关。这将退出“另存为”页面，而不会覆盖您的预设。如果取消，所有编辑都不会被保存。
COPYING A PRESET 复制预设
Anytime you assign a Preset to a different Preset Number + Press and Hold C3 to save, you will automatically duplicate the Preset. If you have exited the Save As Page, Press and Hold down C3 knob to enter the Save As Page. Turn C3 to the right to highlight the Preset Number. Change the preset number to the copy destination. [To CANCEL a copy, press any of the four footswitches.] To proceed a copy. Press and Hold C3 to a save a copy in the new location. 每当您将预设分配至不同的预设编号并长按 C3 保存时，将自动复制该预设。若已退出“另存为”页面，请长按 C3 旋钮重新进入。向右旋转 C3 以高亮显示预设编号，将其更改为目标复制位置。[取消复制操作，请踩踏任意一个脚踏开关。]继续复制流程，长按 C3 将副本保存至新位置。
QUICK SAVE 快速保存
To QUICK SAVE without changing the name or favorite status, hold the active/lit LED button or foot switch directly below. The completed save will return you to the PRESET PAGE and you’ll notice the “edited” glyph will have been removed. 要快速保存而不更改名称或收藏状态，请直接按住下方亮起的 LED 按钮或脚踏开关。保存完成后，您将返回到预设页面，并注意到“已编辑”的标记已被移除。
05 . Favorits sank 05 . 最爱沉沦
We created what we call the FAVORITES bank. The purpose of the Favorites Bank is to have a shortcut access to your top 3 favorite presets without the need navigate thru banks. The Favorites Bank is located before bank 1. To jump to the Favorites Bank, HOLD 1+2\mathbf{1}+2 footswitches. While the Favorites Bank is highlighted in the screen, use the 3 footswitches to choose which favorite preset to jump to. To bank up, PRESS 2+3\mathbf{2}+\mathbf{3} at the same time. To bank down, PRESS 1+2\mathbf{1}+\mathbf{2} at the same time. A total of 3 presets can be assigned to your Favorites Bank within the SAVE AS page. 我们创建了所谓的“FAVORITES 收藏库”。收藏库的目的是无需在库间导航，即可快速访问您最喜爱的 3 个预设。收藏库位于库 1 之前。要跳转到收藏库，请长按 1+2\mathbf{1}+2 脚踏开关。当收藏库在屏幕上高亮显示时，使用 3 个脚踏开关选择要跳转的收藏预设。要向上切换库，同时按下 2+3\mathbf{2}+\mathbf{3} ；要向下切换库，同时按下 1+2\mathbf{1}+\mathbf{2} 。在“SAVE AS 保存为”页面中，最多可为收藏库分配 3 个预设。
The Favorites Bank can also be quickly assigned using our free editor/librarian called prEDITOR v2. 收藏库也可以通过我们名为 prEDITOR v2 的免费编辑器/库管理器快速分配。
HOLD 1+2\mathbf{1}+\mathbf{2} footswitches to jump to FAVORITES bank. 按住 1+2\mathbf{1}+\mathbf{2} 脚踏开关跳转至收藏库。
06 . monferes
LVX has MODIFIERS which allow automatic control of your knobs. For each Modifier, you can choose which parameter the modifier is automatically controlling, how fast the changes are happening, and how large the changes are. To get to the Modifiers Edit Page, press C3\mathbf{C 3} to enter the Edit Pages and turn C3 to MODIFIERS [named in middle bubble]. LVX 配备有 MODIFIERS（调制器），可自动控制旋钮参数。每个调制器均可设定自动控制的参数、变化速度及幅度。要进入调制器编辑页面，请按下 C3\mathbf{C 3} 键进入编辑页面，并旋转 C3 至 MODIFIERS（名称显示于中间气泡处）。
COMMON MODIFIER PARAMETERS
SPEED - This sets how fast the Modifier completes a full cycle. LFO A, LFO B, S&H [a periodic random number generator) and the Sequencer all feature a speed parameter that can be set independently. The Envelope Modifier doesn’t have a speed, but instead features Attack and Decay Time which together set how long it takes the envelope to complete its cycle. SPEED - 此参数决定调制器完成一个完整周期的速度。LFO A、LFO B、S&H（一种周期性随机数生成器）以及音序器均具备可独立设置的速度参数。包络调制器没有速度选项，而是通过启动时间（Attack）和衰减时间（Decay）共同设定包络完成其周期所需的总时长。
NOTE DIVISION - Links the speed of the Modifier to LVX’s current delay Time. When Note Division is set, the Modifier’s Speed parameter is ignored and the speed is calculated as a note division of the main delay time. NOTE DIVISION - 将修改器的速度与 LVX 当前延迟时间相关联。当设置 Note Division 时，修改器的 Speed 参数将被忽略，速度将根据主延迟时间的音符分割来计算。
ASSIGN - Each modifier is a self contained module that can automatically adjust a parameter in the LVX. To link a modifier to a parameter, use the modifier’s ASSIGN parameter. Here you’ll find a list of all the available parameters you can link to the modifier including NONE for when you don’t want to use the Modifier. ASSIGN - 每个调制器都是一个独立模块，可自动调整 LVX 中的参数。要将调制器与参数关联，请使用调制器的 ASSIGN 参数。此处列出了所有可关联至调制器的可用参数，包括 NONE（当您不想使用调制器时选择此项）。
MIN & MAX - To set how much the Modifier changes the parameter use the Modifer’s Min and Mix controls. For the Min and Max controls, the percentage relates to the current position of the parameter you are assigned to, where 100%100 \% equates to exactly where the current parameter is set at. Having the Min and Max work as a percentage of the current parameter value allows you to still control a parameter even when it is attached to a modifier. This is really useful if you like the way the modifier is working but want to make general changes on the fly by simply adjusting the parameter directly. MIN & MAX - 要设置修饰器对参数的影响程度，可使用修饰器的 Min（最小）和 Max（最大）控制。对于 Min 和 Max 控制，百分比关联于所分配参数的当前位置，其中 100%100 \% 等同于参数当前设定的精确位置。让 Min 和 Max 作为参数当前值的百分比工作，即使参数附加了修饰器，您仍能控制该参数。如果您喜欢修饰器的工作方式，但又想通过直接调整参数来即时进行一般性更改，这将非常有用。
MODIFIER EXAMPLE - CONTROLLING A FILTER MODIFIER EXAMPLE - 控制滤波器
Let’s assign the LFO A Modifier to automatically change a filter’s frequency. First, turn C3 to a “BLANK” preset. Next, press C3 to enter the Edit Pages. Turn C3 to FILTER Category and change the Type to Ladder. While you are here, change the Location to PRE+DRY, this will put the filter on to the dry path, in front of the delay. Finally let’s open up the Filter’s Frequency all the way to 15000 Hz . Resonance, Topology, and Spread can be left as is. 让我们将 LFO A 调制器设置为自动改变滤波器的频率。首先，将 C3 旋钮转至“BLANK”预设。接着，按下 C3 进入编辑页面。旋转 C3 至 FILTER 类别，并将类型改为 Ladder。在此过程中，将位置更改为 PRE+DRY，这样滤波器将被置于干信号路径上，位于延迟效果之前。最后，我们将滤波器的频率完全打开至 15000 Hz。共振、拓扑和扩展可以保持默认设置不变。
Now use C3 to navigate to the MODIFIERS Edit Page. Here we’ll use the first modifier, LFO A, to automatically change the filter. Let’s change the LFO A Speed to 2 Hz and the LFO A Assign to FLTR-FREOUENCY. For now, let’s leave the other LFO A parameters alone. 现在使用 C3 导航到 MODIFIERS 编辑页面。这里我们将使用第一个调制器 LFO A 来自动改变滤波器。让我们将 LFO A 的速度调整为 2 Hz，并将 LFO A 分配为 FLTR-FREQUENCY。目前，我们暂时保持其他 LFO A 参数不变。
Let’s strum a few chords and listen to the result. You should hear the filter moving at its own rate and feeding the delay lines. Since the delays and the filters are set to different speeds you can hear how they play against each other rhythmically. To synchronize the filter frequency sweep with the delay time, Let’s change LFO A’s Note Division to OUARTER. Strum again, and you’ll hear that the frequency sweep coincides with the Delay Time. 让我们拨动几个和弦，听听效果。你应该能听到滤波器以自身速率移动并馈入延迟线。由于延迟和滤波器的速度设置不同，可以听到它们在节奏上如何相互对抗。为了让滤波器频率扫描与延迟时间同步，我们将 LFO A 的 Note Division 改为 QUARTER。再次拨弦，你会听到频率扫描与延迟时间重合。
To fine tune the range of the sweep, let’s change the Min and Max parameters of LFO A. For Min and Max, the percentage relates to the current parameter value, where 100%100 \% equates exactly to the current position. Since we have the Filter’s Frequency is set to the maximum value of 15000Hz,100%15000 \mathrm{~Hz}, 100 \% exactly corresponds to this value and 0%0 \% corresponds exactly to the minimum frequency value of 20 Hz . Let’s set the LFO A Max to 68%68 \% for a gentler high frequency and the LFO A Min to 18%18 \% for a less dramatic low frequency. 要微调扫频的范围，我们可以调整 LFO A 的 Min 和 Max 参数。对于 Min 和 Max 而言，百分比与当前参数值相关，其中 100%100 \% 精确对应当前位置。由于我们将滤波器的频率设置为最大值， 15000Hz,100%15000 \mathrm{~Hz}, 100 \% 正好对应这个值，而 0%0 \% 则精确对应 20 Hz 的最小频率值。让我们将 LFO A 的 Max 设为 68%68 \% 以获得更柔和的高频，并将 LFO A 的 Min 设为 18%18 \% 来减少低频的剧烈变化。
Finally let’s explore the different LFO A Shapes available. This control changes the waveshape which determines how the LFO travels from begin to end in its cycle, ranging from the most gentle, Sine Wave, to the most abrupt, Square Wave. Experiment with the different shapes to see how they affect your preset. As an experiment, try setting the LFO A Shape to Ramp Down, the LFO A Note Division to l6th note, and LFO A MIN to 0% for filter with a rhythmic chopping response. 最后，我们来探索可用的不同 LFO A 波形。这一控制项改变波形形状，决定了 LFO 在周期内从开始到结束的变化方式，范围从最平缓的正弦波到最陡峭的方波。尝试不同的波形，看看它们如何影响你的预设。作为实验，试着将 LFO A 波形设为 Ramp Down，LFO A 音符分割设为 16 分音符，并将 LFO A 最小值设为 0%，以获得带有节奏切分效果的滤波器响应。
BREAKDOWN OF EACH MODFFIER AND ITS PARAMETERS: 各修改器及其参数的详细解析：
LFO A MODIFIER - a periodic oscillating signal generator with selectable waveshapes LFO A 调制器 - 一个可选择波形形状的周期性振荡信号发生器
Parameters: Speed, Note Division, Shape [Ramp Up, Ramp Down, Triangle, Sine, Square, 3 Steps Up, 3 Steps Down, 4 Steps Up, 4 Steps Down], Assign, Minimum, Maximum 参数：速度、音符分割、形状[上升斜坡、下降斜坡、三角波、正弦波、方波、3 步上升、3 步下降、4 步上升、4 步下降]、分配、最小值、最大值
LFO B MODIFIER - a periodic oscillating signal generator with selectable waveshapes LFO B 调制器 - 一种可选择波形形状的周期性振荡信号发生器
Parameters: Speed, Note Division, Shape [Ramp Up, Ramp Down, Triangle, Sine, Square, 3 Steps Up, 3 Steps Down, 4 Steps Up, 4 Steps Down], Assign, Minimum, Maximum 参数：速度、音符分割、形状[上升斜坡、下降斜坡、三角波、正弦波、方波、3 步上升、3 步下降、4 步上升、4 步下降]、分配、最小值、最大值
ENVELOPE MODIFIER - a triggered envelope generator. When a note onset or pick attack is detected the envelope begins its travel from the Min to Max value at the Attack Time before then traveling from Max back to Min at the Decay Time. The Linear Shape completes this travel in a straight line and the Exponential Shape completes this travel using curved lines. The Clipped Attack shape holds the envelope value at Max for the Attack Time interval before traveling back to the Min Value at the Decay Time interval. 包络调制器 - 一种触发式包络发生器。当检测到音符起始或拨弦触发时，包络会以 Attack Time（起音时间）从最小值向最大值移动，随后以 Decay Time（衰减时间）从最大值回落到最小值。Linear Shape（线性形态）会以直线完成这段行程，而 Exponential Shape（指数形态）则会采用曲线路径。Clipped Attack（截断起音）形态会在 Attack Time 区间内将包络值维持在最大值，随后在 Decay Time 区间内回落至最小值。
Tip: try swapping the Min and Max values to flip the envelope shape. 提示：尝试交换最小值和最大值以翻转包络形状。
Parameters: Attack Time, Decay Time, Shape [Linear, Exponential, Clipped Attack], Assign, Minimum, Maximum 参数：起音时间，衰减时间，形状[线性，指数，截断起音]，分配，最小值，最大值
HOLD MODIFIER - an envelope generator triggered by a footswitch hold. When the current preset switch is held, the envelope travels from the Min to Max value at the attack time. When the current preset switch is released, the envelope begins to travel back down to the Hold Min at the Decay Time. HOLD MODIFIER - 由脚踏开关保持触发的包络发生器。当当前预设开关被按住时，包络以攻击时间从最小值升至最大值。当当前预设开关释放时，包络开始以衰减时间回落到保持最小值。
Parameters: Hold Attack, Hold Decay, Assign, Minimum, Maximum 参数：保持攻击，保持衰减，分配，最小值，最大值
Important: For the Hold Modifier to work properly, the preset switch needs to be held for 500 msec . 重要提示：要使 Hold Modifier 正常工作，预设开关需保持按下 500 毫秒。
Note: If the switch is released before the 500 msec hold time, the preset will enable/disable the current preset. 注意：如果在 500 毫秒的保持时间之前释放开关，预设将启用/禁用当前预设。
SAMPLE & HOLD MODIFIER - a periodic random number generator, a new random number is generated after every cycle [set by Speed or Note Division] is complete. Use this to randomly change a parameter at a fixed interval. 采样保持调制器 - 一种周期性随机数生成器，在每次由速度或音符分频设定的周期完成后生成一个新的随机数。用于以固定间隔随机改变参数。
Parameters: Speed, Note Division, Assign, Minimum, Maximum 参数：速度、音符分割、分配、最小值、最大值
SEQUENCER MODIFIER - plays back a repeating pattern with a new element generated after every cycle [set by Speed or Note Division) is complete. The pattern is created by setting 16 individual steps of equal length. Patterns less than 16 steps can be created turning the step all the way down to its minimum value which is ‘Skip’. 序列修改器 - 播放一个重复的节奏模式，在每完成一个由速度或音符分割设定的循环后生成一个新元素。该模式通过设定 16 个等长的独立步骤来创建。步骤可调至最小值“跳过”，以创建少于 16 步的模式。
Some Modifiers Tips: LVX will allow you to assign multiple modifiers to the same parameter for creative control combinations. When the modifiers are assigned to the same parameter the control signals they generate are added together before modifying the parameter. This sum is automatically clipped at 100%100 \% when it gets too large. 一些修饰器使用技巧：LVX 允许您为同一参数分配多个修饰器，以实现创意控制组合。当修饰器被分配到同一参数时，它们生成的控制信号会在修改参数前相加。若总和过大，系统会自动将其限制在 100%100 \% 范围内。
When looking at the Assign parameter for any of the modifiers, LVX will only show the parameters for Categories where a processing element has been selected. If the Type is set to None, then that Category will not appear in the list of Assign parameters. 在查看任何修饰符的 Assign 参数时，LVX 仅会显示已选择处理元素的类别参数。若类型设为 None，则该类别不会出现在 Assign 参数列表中。
07 - xperssson
The rear panel of LVX has an EXP jack which allows you to connect an expression pedal for on the fly changes of parameters. LVX lets you make 6 expression pedal assignments and for each assignment you can choose which parameter the expression pedal is controlling, and how much the parameter is changed at the minimum and maximum positions of the expression pedal. To get to the Expression Edit Page, press C3 to enter the Edit Pages and turn C3 to EXP PEDAL [named in middle bubble). LVX 的后面板配有一个 EXP 接口，可连接表情踏板以实时调整参数。LVX 允许您进行 6 种表情踏板分配，每种分配均可选择踏板控制的参数，以及参数在踏板最小和最大位置时的变化幅度。要进入表情编辑页面，请按下 C3 键进入编辑页面，然后旋转 C3 至 EXP PEDAL（中间气泡内命名）。
Expression pedal adjustments affect the parameters only when an expression pedal is connected to the EXP jack on the back of LVX. When a physical expression pedal is not connected to LVX, all EXP PEDAL assignments with the Source parameter set to EXP will be ignored. 表情踏板调整仅在表情踏板连接到 LVX 背面的 EXP 插孔时影响参数。当物理表情踏板未连接到 LVX 时，所有源参数设置为 EXP 的表情踏板分配将被忽略。
BREAK DOWN OF THE EXPRESSION PEDAL PARAMETERS: 表情踏板参数分解：
Source A-F: Source sets which signal is used to modify the assigned parameter. By default. Source is connected to EXP [the expression pedal]. For most presets, having Source set to EXP is exactly what you want; where simply, the expression pedal modifies the assigned parameter. Setting the Source to something other than EXP is useful when you want a modifier to control a second parameter, see the example labeled ‘Using Expression Source’ below. 源 A-F：用于修改指定参数的信号源集。默认情况下，源连接到 EXP[表情踏板]。对于大多数预设，将源设置为 EXP 正是您所需要的；即表情踏板直接修改指定参数。当您希望用调制器控制第二个参数时，将源设置为 EXP 以外的选项会很有用，请参阅下方标有“使用表情源”的示例。
Assign A-F: LVX features six separate parameter assignments. To link the expression pedal to a parameter, use one of the six expression pedal ASSIGN parameters labeled A through F. Here you’ll find a list of all the available parameters you can link to the expression pedal including NONE. 分配 A-F：LVX 具有六个独立的参数分配功能。要将表情踏板与参数关联，请使用标记为 A 至 F 的六个表情踏板 ASSIGN 参数之一。此处列出了所有可链接到表情踏板的可用参数，包括 NONE。
Min &\mathcal{\&} Max A-F: For each of the expression pedal parameter assignments you’ll find a corresponding set of Min and Max controls also labeled A through F. Min represents the expression pedal at its minimum position [heel down], and Max represents the expression pedal at its maximum position [toe down]. The percentage relates to the current position of the parameter you are assigned to, where 100%100 \% equates to exactly where the current parameter is set at. Having the Min and Max work as a percentage of the current parameter value allows you to still control a parameter even when it is attached to an expression pedal. This is really useful if you like the way the expression pedal is working but want to make general changes on the fly by simply adjusting the parameter directly. 最小 &\mathcal{\&} 最大 A-F：对于每个表情踏板参数分配，您会找到一组对应的最小和最大控制，同样标有 A 到 F。最小代表表情踏板处于最低位置[脚跟下压]，最大代表表情踏板处于最高位置[脚尖下压]。百分比与您所分配参数的当前位置相关，其中 100%100 \% 等同于当前参数的确切设置位置。将最小和最大作为当前参数值的百分比来工作，使您即使在参数连接到表情踏板时仍能控制该参数。如果您喜欢表情踏板的工作方式，但又想通过直接调整参数来即时进行一般性更改，这将非常有用。
EXPRESSION PEDAL EXAMPLE - CONTROLLING PITCH 表情踏板示例 - 控制音高
Let’s assign the expression pedal to change the pitch of the Poly Chroma processing element. 让我们将表情踏板分配给 Poly Chroma 处理元件来改变音高。
First, connect your expression pedal to the EXP jack on the back of LVX. 首先，将表情踏板连接到 LVX 背面的 EXP 插孔。
Turn C3 to a BLANK preset. Press C3 to enter the Edit Pages. Turn C3 to PITCH Category and change the Type to Poly Chroma. While you are here, change the Location to PRE+DRY, this will put the Poly Chroma on to the dry path, in front of the delay. Also change the Poly Chroma’s Pitch parameter to 12 m 2 , and the Poly Chroma’s Mix parameter to 100%100 \%. 将 C3 转至空白预设。按下 C3 进入编辑页面。旋转 C3 至 PITCH 类别，并将类型改为 Poly Chroma。在此过程中，将位置更改为 PRE+DRY，这会将 Poly Chroma 置于干信号路径上，位于延迟效果之前。同时，将 Poly Chroma 的音高参数调整为 12 m 2，混音参数设为 100%100 \% 。
Turn C3 to the EXP PEDAL Edit Page. Change the first expression pedal assignment, EXP A Assign, Pitch-Pitch. This is shorthand for the parameter where the first word stands for the Category [here we are targeting the Pitch Category] and the second word stands for the actual parameter name [the Poly Chroma’s Pitch]. Now, let’s change the EXP A Min to 50% and EXP A Max to 将 C3 转至 EXP PEDAL 编辑页面。更改第一个表情踏板分配，EXP A 分配为 Pitch-Pitch。这是参数的简写形式，第一个词代表类别[此处我们针对的是 Pitch 类别]，第二个词代表实际参数名称[即 Poly Chroma 的 Pitch]。现在，将 EXP A 最小值改为 50%，EXP A 最大值改为 100%100 \%. Since we currently have the pitch parameter set to 12 m 2 [an octave up, and the highest value for this parameter] 100% will equate exactly to 12 m 2 , and 50%50 \% will equate exactly to the middle of the knob range 0 m 2 , which is zero pitch shift. Since the Min parameter presents heel down and the Max parameter represents toe down on the expression pedal, moving the expression pedal will smoothly move between no pitch shifting and an octave up of pitch shifting. Let’s strum a few chords while moving the expression pedal and listen to the result. 100%100 \% 。由于当前我们将音高参数设置为 12 m 2 [升高一个八度，这是该参数的最高值]，100%将完全等同于 12 m 2，而 50%50 \% 将完全等同于旋钮范围的中间值 0 m 2，即零音高偏移。由于最小参数代表表情踏板踩到底部，最大参数代表踩到顶部，移动表情踏板将在无音高偏移和升高一个八度的音高偏移之间平滑过渡。让我们在移动表情踏板的同时弹奏几个和弦，听听效果。
EXPRESSION PEDAL EXAMPLE - USING EXPRESSION SOURCE 表情踏板示例 - 使用表情源
Let’s create a preset to see how to use the Expression Source parameter to compliment the Modifier section in LVX. 让我们创建一个预设，看看如何使用 Expression Source 参数来补充 LVX 中的 Modifier 部分。
Turn C3 to a BLANK preset. Before entering the Edit Pages, turn the front panel Mix knob to zero, doing this will let us listen to anything in the Pre+Dry category with no echoes present. 将 C3 转为空白预设。在进入编辑页面之前，将前面板的混音旋钮调至零位，这样我们就能听到 Pre+Dry 类别中的任何内容，且无回声干扰。
Press C3\mathbf{C 3} to enter the Edit Pages. Turn C3 to PITCH Category and change the Type to Lo-Fi. Change the Location to PRE+DRY, this will put the Lo-Fi pitch on to the dry path, in front of the delay. Also change the Lo-Fi’s Pitch L and Pitch R parameters to 12 m 2 , and the Lo-Fi’s Mix parameter to 100%100 \%. 按 C3\mathbf{C 3} 键进入编辑页面。将 C3 旋至 PITCH 类别，并将类型更改为 Lo-Fi。将位置设为 PRE+DRY，这会将 Lo-Fi 音高置于延迟前的干信号路径上。同时，将 Lo-Fi 的 Pitch L 和 Pitch R 参数调整为 12 m 2，并将 Lo-Fi 的 Mix 参数设为 100%100 \% 。
Let’s assign an LFO modifier to Pitch L. Turn C3 to the MODIFIERS Edit Page. We’ll use the first modifier LFO A. Change LFO A Assign to PTCH-PITCH L. For now, let’s leave the other LFO A parameters alone. If you take a listen, you’ll hear the left side of the pitch changing from -12 to +12 semitones, and the right side will be statically shifted up 12 semitones. 让我们为 Pitch L 分配一个 LFO 调制器。将 C3 转到 MODIFIERS 编辑页面。我们将使用第一个调制器 LFO A。将 LFO A 的 Assign 设置为 PTCH-PITCH L。现在，我们暂时保持 LFO A 的其他参数不变。试听一下，你会听到左侧的音高在-12 到+12 个半音之间变化，而右侧的音高则静态上移了 12 个半音。
To link Pitch R to the same modifier as Pitch L, we’ll use the Expression Source parameter. Turn C3 to the first EXP PEDAL Edit Page. Set EXP SOURCE A to LFO A and EXP ASSIGN A to PTCH-PITCH R. Let’s leave the other EXP A parameters alone. If you take another listen, you’ll now hear the pitch on the left and right channels moving together at the same rate since they are both connected to the same modifier. While you are here, try changing EXP A MIN to 100%100 \% and EXP A MAX to 0%0 \%. Now, if you take a listen you’ll hear the Pitch L and Pitch R parameters move opposite to each other but at the same rate since they are both linked to LFO A. 要将 Pitch R 链接到与 Pitch L 相同的调制器，我们将使用 Expression Source 参数。将 C3 转至第一个 EXP PEDAL 编辑页面。设置 EXP SOURCE A 为 LFO A，EXP ASSIGN A 为 PTCH-PITCH R。其他 EXP A 参数保持不变。此时再次聆听，你会听到左右声道的音高以相同速率同步变化，因为它们都连接到了同一个调制器。在此过程中，尝试将 EXP A MIN 改为 100%100 \% ，EXP A MAX 改为 0%0 \% 。现在聆听，你会发现 Pitch L 和 Pitch R 参数以相同速率反向运动，因为它们都链接到了 LFO A。
08 - tooper
LVX has an always available 60 second stereo looper. [Note: looper audio does not save during power down.] The looper is available at the same time as the delays, so you have full access to all of your LVX presets when using the looper. The looper has customizable footswitches and the loop itself can also be moved, before the delays, after the delays, in the dry path, after the delay’s mix control, and in the feedback of the delay lines. You also get a unique warp control that scrubs through the current loop with the expression pedal. LVX 配备了一个始终可用的 60 秒立体声循环器。[注：循环器音频在断电时不会保存。]循环器与延迟效果可同时使用，因此在使用循环器时，您可以完全访问所有 LVX 预设。循环器具有可定制的脚踏开关，且循环本身也可移动，可置于延迟前、延迟后、干信号路径中、延迟混音控制后，以及延迟线路的反馈回路中。此外，您还可以通过表情踏板操控独特的扭曲控制，实时擦洗当前循环。
To access the looper, Hold Tap to enable the controls. The looper icon appears in the bottom center of the screen to show the looper is engaged and the footswitches are set to control the looper. [See looper icon below] The looper footswitches record/overdub and play/stop footswitches work in the classic way. 要使用循环器，请按住 Tap 键启用控制功能。屏幕底部中央会出现循环器图标，表示循环器已启用，且脚踏开关设置为控制循环器。[参见下方的循环器图标] 循环器的脚踏开关以经典方式工作，分别用于录制/叠加和播放/停止。
To record a new loop, simply press Record [footswitch I] while the looper is Stopped. To record a loop press footswitch I. When you’ve finished playing your audio phrase and want to set a loop point press either Overdub [footswitch 1] or Play [footswitch 2]. Overdub will let you record over the top of your current loop. After the loop point is set, use footswitch 2 to start and stop playback. 要录制新循环，只需在循环器停止时按下录制[脚踏开关 I]。录制循环请踩下脚踏开关 I。完成音频乐句演奏并希望设置循环点时，按下叠加[脚踏开关 1]或播放[脚踏开关 2]。叠加功能允许你在当前循环上继续录制。循环点设置完成后，使用脚踏开关 2 来开始和停止播放。
To clear or delete a loop from memory, record a new loop. While the looper is Stopped, press Record to start a new loop. Then press Overdub or Play to set the endpoint of your new loop. 要清除或删除内存中的循环，请录制一个新的循环。当循环器处于停止状态时，按下录制键开始新循环。然后按下叠加或播放键以设置新循环的结束点。
The functions for footswitch 3 and 4 are assignable on the Looper page in Edit View. For footswitch 3 [Looper FX 1] you have the choice of Play Once, Retrigger, and Expression Pedal Warp. ‘Play Once’ restarts your loop and automatically stops after the loop plays through once. ‘Retrigger’ restarts your loop and continuously plays your loop. Expression Pedal Warp stops the normal playback of your looper and lets you scrub through the looped audio with your expression pedal. With the expression pedal set to the heel position, you are at the start of your loop. With the expression pedal set to the toe position you are at the end of your loop. The speed and position of your expression pedal will determine how you scrub through the audio; super fast, super slow, forward and reverse. Have fun warping your loop and feeding into the delays. For footwitch 4 [Looper FX 2] you have the choice of Reverse, Half Speed, and Half Speed / Reverse. With the last option, Half Speed / Reverse, footswitch 4 performs the classic dual action switching. In this option press to toggle half speed playback, and double press to toggle reverse playback. 在编辑视图的 Looper 页面中，脚踏开关 3 和 4 的功能是可分配的。对于脚踏开关 3[Looper FX 1]，您可以选择“播放一次”、“重新触发”和“表情踏板扭曲”。“播放一次”会重新开始您的循环，并在循环播放一次后自动停止。“重新触发”会重新开始您的循环并持续播放。表情踏板扭曲会停止循环器的正常播放，让您通过表情踏板在循环音频中擦洗。将表情踏板置于脚跟位置时，您位于循环的起点；置于脚尖位置时，则位于循环的终点。表情踏板的速度和位置将决定您如何擦洗音频：极快、极慢、正向或反向。尽情享受扭曲循环并输入延迟效果的乐趣吧。对于脚踏开关 4[Looper FX 2]，您可以选择“反向”、“半速”和“半速/反向”。最后一个选项“半速/反向”让脚踏开关 4 执行经典的双重动作切换：按一次切换半速播放，双击切换反向播放。
[NOTE: Looper does not sync to tap tempo or MIDI clock.] [注意：Looper 不会同步到点击节拍或 MIDI 时钟。]
09. delay structures 09. 延迟结构
The heart of LVX are the stereo delay lines. The first two delay parameters are Structure and Type. Structure reorganizes the delay lines to add delay taps and filters, reverse the direction, and twist the delays into a dual poly structure adapted from our Polymoon. The Type parameter changes the tonality and quality of the delay lines. Each type has its own built in modulation controlled by the front panel’s MOD knob. LVX 的核心在于其立体声延迟线。前两个延迟参数是“结构”和“类型”。“结构”重组延迟线，增加延迟抽头和滤波器，反转方向，并将延迟扭曲成从我们的 Polymoon 借鉴而来的双重复音结构。“类型”参数改变延迟线的音色和品质。每种类型都有其内置的调制，由前面板的“调制”旋钮控制。
COMMON DELAY PARAMETERS: 常见延迟参数：
TIME - The current delay time. This parameter is linked to the front panel Time knob, has 32 bit resolution, and can be expressed in seconds or BPM by changing the “TEMPO DISP” setting in the Global Edit Pages. The Time parameter can be applied per preset or globally to all presets by changing the “TEMPO SEL” parameter in the Global Edit Pages. 时间 - 当前的延迟时间。此参数与前面板的“时间”旋钮相关联，具有 32 位分辨率，并可通过在全局编辑页面更改“TEMPO DISP”设置以秒或 BPM 表示。时间参数可针对每个预设单独应用，或通过更改全局编辑页面中的“TEMPO SEL”参数对所有预设全局应用。
LEFT DIVISION - This parameter sets the current time subdivision for the Left delay line and is expressed in note values. The division parameter is useful when you want to automatically adjust your Left delay to a specific note value ratio of the Time parameter. In the “BLANK” preset, this parameter defaults to “OFF”, which gives you quarter note divisions that match the blinking Tap LED on the front panel. 左分频 - 此参数设置左延迟线的当前时间细分，并以音符值表示。当您希望根据时间参数的特定音符值比率自动调整左延迟时，分频参数非常有用。在“空白”预设中，此参数默认为“关闭”，此时提供与前面板上闪烁的 Tap LED 相匹配的四分音符分频。
RIGHT NOTE DIVISION - This parameter sets the current time subdivision for the Right delay line and is expressed in note values. The division parameter is useful when you want to automatically adjust your Right delay to a specific note value ratio of the Time parameter. In the “BLANK” preset, this parameter defaults to “OFF”, which gives you quarter note divisions that match the blinking Tap LED on the front panel. RIGHT NOTE DIVISION - 此参数用于设置右延迟通道的当前时间细分，以音符时值表示。当您希望根据 Time 参数的特定音符比例自动调整右延迟时，该细分参数非常实用。在“BLANK”预设中，此参数默认为“OFF”，此时将提供与前面板闪烁的 Tap LED 相匹配的四分音符细分。
HALF SPEED - This sets the current read/write speed for the delay line. When half speed is disabled the delays operate at 48 kHz sampling rate giving you a maximum delay time of 2.54 seconds of stereo delay time; and when half speed is enabled the delays operate at 24 KHz giving you 5.08 seconds of delay time. Try changing the Half Speed parameter while the delays are echoing with a generous amount of feedback to create interesting time and pitch effects. 半速模式 - 此设置用于调整延迟线的当前读写速度。当半速模式关闭时，延迟以 48 kHz 采样率运行，提供最长 2.54 秒的立体声延迟时间；启用半速模式后，延迟则以 24 kHz 运行，延迟时间延长至 5.08 秒。尝试在延迟伴有丰富反馈回声时切换半速参数，可创造出有趣的时间和音高效果。
FEEDBACK - This controls the amount of the delay line’s output that is mixed onto the delay line’s input. This parameter is linked to the front panel Feedback knob and sets the feedback for both the Left and Right delays. 反馈 - 此参数控制延迟线输出与输入混合的比例。该参数与前面板的反馈旋钮联动，同时设置左右声道延迟的反馈量。
CROSSFEED - This control works with the feedback parameter to set how much of the Left delay output is mixed onto the Right delay input, and how much of the Right delay output is mixed onto the Left delay input. Use this to create interesting cascading delay effects when the Left and Right delays have different settings. CROSSFEED - 此控制与反馈参数协同工作，用于设定左声道延迟输出混入右声道延迟输入的量，以及右声道延迟输出混入左声道延迟输入的量。当左右声道延迟设置不同时，利用此功能可创造出有趣的级联延迟效果。
MOD - This parameter sets the amount of modulation to the Left and Right delay lines, and has a different voicing for each Delay Type. This parameter is linked to the front panel Mod knob, and is not connected to the Modulation category. The Mod parameter is useful to quickly dial in some motion to animate your delay lines. For deeper and more complete modulation control, use the Modulation category when you want to enhance your delay lines with even more modulation. MOD - 此参数用于设置左右延迟线的调制量，且每种延迟类型具有不同的音色表现。该参数与前面板的 Mod 旋钮联动，但独立于调制类别。通过 Mod 参数可快速为延迟线增添动态效果。若需更深入全面的调制控制，请使用调制类别功能，为延迟线叠加更丰富的调制效果。
DAMPING - This parameter reduces the high frequencies in the Left and Right delays. When set to zero, the delays have the full amount of high frequency detail. The Dampening parameter has a different response per Delay Type. For the Digital delay type, the Damping control allows you to darken your repeats. For the BBD delay type, the Damping control alters the filter structure around the bucket brigade clock, with no clock noise preset when color is set to 100%100 \%. For the Tape delay type, the Damping control changes the filter structure and ages the tape to allow for darker timbres. 阻尼 - 此参数降低左右声道延迟效果中的高频成分。当设置为零时，延迟效果保留完整的高频细节。不同延迟类型下，阻尼参数的响应特性各异：数字延迟类型中，阻尼控制可让重复音效趋于暗淡；BBD（斗链式）延迟类型下，阻尼调节会改变围绕斗链时钟的滤波器结构，当色彩值设为 100%100 \% 时可消除时钟噪声预设；而磁带延迟类型中，阻尼控制既能改变滤波器结构，又能模拟磁带老化效果，从而呈现更为晦暗的音色特质。
MIDI CLOCK - This parameter lets you ignore the incoming MIDI Beat Clock on a per preset basis. For most situations, you can just use the Global to either accept or ignore incoming MIDI Beat Clock, but if you need more control, then use this parameter. This parameter has three settings: “USE GLOBAL”, "FORCE LISTEN’, and ‘FORCE IGNORE’. ‘USE GLOBAL’ sets the preset to follow whatever the Global MIDI Clock parameter is set to, all of the factory presets in LVX default to this setting. ‘FORCE LISTEN’ lets you set this presetOO to always listen to MIDI Beat Clock and ‘FORCE IGNORE’ lets you set the preset to always ignore MIDI Beat Clock. MIDI 时钟 - 此参数允许您在每个预设基础上忽略传入的 MIDI 节拍时钟。大多数情况下，您可以直接使用全局设置来接受或忽略传入的 MIDI 节拍时钟，但若需更精细控制，则可使用此参数。该参数提供三种设置：“使用全局”、“强制监听”和“强制忽略”。“使用全局”使预设遵循全局 MIDI 时钟参数的设置，LVX 中所有出厂预设默认采用此设置。“强制监听”可让当前预设始终监听 MIDI 节拍时钟，而“强制忽略”则使预设始终忽略 MIDI 节拍时钟。
BREAKDOWN OF THE DELAY STRUCTURES AND TYPES: 延迟结构与类型的解析：
DELAY STRUCTURES 延迟结构
STANDARD - Stereo Parallel Delay Lines 标准 - 立体声平行延迟线
Parameters: Time, Left Note Division, Right Note Division, Half Speed, Feedback, Crossfeed, Mod 参数：时间、左音符分割、右音符分割、半速、反馈、交叉馈送、调制
MULTITAP - an 8 tap delay with 4 taps dedicated to each side. Taps 1-41-4 are connected to the left side of the delay. Taps 5-8 are connected to the right side of the delay MULTITAP - 一款 8 抽头延迟效果器，每侧各分配 4 个抽头。抽头 1-41-4 连接至延迟效果的左侧，抽头 5-8 则连接至延迟效果的右侧。
Parameters: Time, Left Note Division, Right Note Division, Half Speed, Feedback, Crossfeed, Mod 参数：时间、左音符分割、右音符分割、半速、反馈、交叉馈送、调制
Tap 1-8, Level l-8, Pan l-8 点击 1-8，级别 1-8，平移 1-8
MULTI FLITER - the same delay structure as the MultiTap with a separate bandpass filter added at the output of each tap Parameters: Time, Left Note Division, Right Note Division, Half Speed, Feedback, Crossfeed, Mod Tap 1-8, Filter 1-8, 0 l-8, Level 1-8, Pan 1-8 多重滤波器 - 与 MultiTap 相同的延迟结构，但在每个抽头输出端添加了独立的带通滤波器。参数包括：时间、左音符分割、右音符分割、半速、反馈、交叉馈送、调制抽头 1-8、滤波器 1-8、0 l-8、电平 1-8、声像 1-8
POLY - Poly is a dual version of the Polymoon delay structure, each side of the delay gets processed by its own algorithm and spread across the stereo spectrum independently POLY - Poly 是 Polymoon 延迟结构的双版本，延迟的每一侧都由其自己的算法处理，并独立地分布在立体声频谱中
Parameters: Time, Left Note Division, Right Note Division, Half Speed, Feedback, Crossfeed, Mod, Dimension, Multiply, Level, Left Modulation, Right Modulation 参数：时间、左音符分割、右音符分割、半速、反馈、交叉反馈、调制、维度、倍增、电平、左调制、右调制
REVERSE - Stereo Parallel Delays with Reverse playback REVERSE - 立体声平行延迟带反向播放功能
Parameters: Time, Left Note Division, Right Note Division, Half Speed, Feedback, Crossfeed, Mod 参数：时间、左音符分割、右音符分割、半速、反馈、交叉馈送、调制
SERIES - Stereo Series Delays each side has two delays in series. Delay divisions for each of the four delays [two on each side] can be set independently. When placing processing elements in the feedback location for the series structure, the processing elements will live in the feedback of Delay 1. Mid Mix, sets the output mix of Delay 1 as it goes into Delay 2. 系列 - 立体声系列延迟，每侧有两个串联的延迟。四个延迟（每侧两个）的延迟分频可以独立设置。在系列结构的反馈位置放置处理元素时，处理元素将位于延迟 1 的反馈中。中置混音，设置延迟 1 进入延迟 2 时的输出混音。
Parameters: Time, Left Note Division Delay 1, Left Note Division Delay 2, Right Note Division Delay 1, Right Note Division Delay 2. Half Speed, Feedback 1, Feedback 2, Crossfeed, Mod, Mid Mix 参数：时间、左音符分割延迟 1、左音符分割延迟 2、右音符分割延迟 1、右音符分割延迟 2、半速、反馈 1、反馈 2、交叉馈送、调制、中置混音
DELAY TYPES
DIGITAL - uncolored completely clean delay line, here the front panel mod knob ranges from slow and wide modulations at minimum, to fast and narrow at maximum 数字 - 无色彩完全纯净的延迟线，前面板调制旋钮的调节范围从最小值的缓慢宽广调制，到最大值的快速狭窄调制
BBD - analog flavored bucket brigade colored delay lines, here the mod knob adds depth to the classic Ifo BBD - 模拟风味桶旅彩色延迟线，这里的调制旋钮为经典 Ifo 增添了深度
MAGNETIC - tape flavored delay with a slight saturation and gentle degradation, here the mod knob increases the amount of wow and flutter MAGNETIC - 一款带有轻微饱和与柔和劣化效果的磁带风味延迟，调制旋钮可增加颤音和抖动的程度
10. cartoonts and timenis 10. 卡通和蒂梅尼斯
The processing elements are grouped into categories. The categories are: Dynamics, Preamp, Filter, Pitch, and Modulation. 处理元件被分为几类，包括：动态（Dynamics）、前置放大器（Preamp）、滤波器（Filter）、音高（Pitch）和调制（Modulation）。
Important: the Modulation Category is separate from the front panel Mod knob which directly controls the modulations built into the delays. All the processing elements in LVX, with the exception of Poly Chroma, are stereo and can process the left and right audio signal completely independently. The elements can be placed before the delay lines, after the delay lines, in the feedback of the delay lines, as well as in the pre + dry path indicated in light blue. The looper has one more location than the other elements called “POST MIX” indicated in pink. When all categories are in the same location, the processing order from first to last is Looper, Dynamics, Preamp, Filter, Pitch, and Modulation. 重要提示：调制类别（Modulation Category）与前面板的调制旋钮（Mod knob）是分开的，后者直接控制延迟效果内置的调制参数。LVX 中除 Poly Chroma 外，所有处理元件均为立体声设计，可完全独立处理左右声道音频信号。这些元件可置于延迟线之前、延迟线之后、延迟线反馈回路中，以及浅蓝色标注的"前级+干信号路径"中。循环器（looper）比其他元件多一个位置选项——粉色标注的"POST MIX"（混合后）。当所有类别处于相同位置时，处理顺序依次为：循环器→动态处理→前级→滤波器→音高→调制。
Visual diagram of the processing elements: 处理元素的可视化图表：
Also shown in the visual diagram is the Mixer for LVX. The Mixer is directly connected to the front panel mix knob. To adjust the Dry and Wet Trim levels, use C3 to enter Edit View and page over to the MIX section. The following is a breakdown of each Category and the processing Elements they contain: 可视化图表中还显示了 LVX 的混音器。混音器直接连接前面板的混音旋钮。要调整干湿信号电平，请使用 C3 键进入编辑视图并翻页至 MIX 部分。以下是各分类及其包含处理元素的详细说明：
DYNAMICS CATEGORY
COMPRESSOR - an upgraded fully adjustable stereo compressor adapted from Enzo. You can use the compressor like an audio microscope to zoom into small details, or set more gently, the compressor can balance the levels of your delay creations. 压缩器 - 一款源自 Enzo 升级版的全可调立体声压缩器。您可将其用作音频显微镜放大细微之处，或柔和设置以平衡延时效果创作的电平。
Parameters: Threshold, Ratio, Gain, Attack, Release, Mix 参数：阈值、比率、增益、启动、释放、混合
SWELL - a stereo exponential automatic volume swell to remove the attack of your audio. Swell works best in front of the delay lines where it helps create dreamy pads of sounds SWELL - 一种立体声指数式自动音量渐强效果，用于消除音频的起音部分。Swell 在延迟线前使用效果最佳，有助于营造梦幻般的音垫效果。
Parameters: Attack Time, Gain 参数：Attack Time（起音时间），Gain（增益）
DIFFUSION - Diffusion is a stereo pair of super short multitap delays used to smooth your sound and soften hard edged sounds. The density control adds progressively more smearing of the audio and the low pass filter cuts highs to further soften your sound. Try using Diffusion in the feedback location of your delays to progressively soften the sound with every repeat. DIFFUSION - 扩散效果是一对超短多抽头延迟的立体声组合，用于平滑您的声音并软化硬边声音。密度控制逐渐增加音频的模糊效果，而低通滤波器则削减高频以进一步柔化您的声音。尝试在延迟的反馈位置使用扩散效果，随着每次重复逐渐柔化声音。
Parameters: Density, Low Pass Filter 参数：密度，低通滤波器
LIMITER - A completely unique stereo algorithm for the LVX, the Limiter hard limits your signal to the threshold. With a totally different algorithm from the LVX’s compressor, the Limiter adds immediate and dramatic punch to your sound. Parameters: Threshold, Gain, Release LIMITER - LVX 独有的立体声算法，Limiter 将信号严格限制在阈值内。与 LVX 的压缩器采用完全不同的算法，Limiter 为声音增添即时且显著的冲击力。参数：Threshold（阈值）、Gain（增益）、Release（释放）
PREAMP CATEGORY 前置放大器类别
VOLUME PEDAL - the volume pedal element on the LVX comes alive when connected to the modifiers. Try assigning an LFO to control the Balance and provide continuously shifting panning of your delays. 音量踏板 - LVX 上的音量踏板元素在与调制器连接时变得活跃。尝试分配一个 LFO 来控制平衡，为你的延迟效果提供持续变化的声像定位。
Parameters: Level, Balance 参数：Level（电平），Balance（平衡）
TUBE - the Tube Preamp provides a mid boost with controllable gain and level. Try pairing the Tube Preamp with the Magnetic Delay type. TUBE - 这款电子管前置放大器提供可调增益和电平的中频增强效果。尝试将电子管前置放大器与磁性延迟类型搭配使用。
Parameters: Parameters: Gain, Level 参数：参数：增益，电平
TRANSISTOR - the Transistor Preamp emphasizes high frequencies, perfect for adding clarity to dull audio signals Parameters: Parameters: Gain, Level TRANSISTOR - Transistor 前置放大器强调高频，非常适合为沉闷的音频信号增添清晰度。参数：增益、电平
OP-AMP - the Op-Amp Preamp gives you a broadband boost with de-emphasized low end, a good all purpose preamp Parameters: Parameters: Gain, Level OP-AMP - 这款运算放大器前置放大器为您提供宽频带增益，同时削弱低频，是一款全能型优质前置放大器。参数：增益、电平
DRIVE - a dark and mellow overdrive to add crunch to your delay repeats DRIVE - 一款深沉而醇厚的过载效果，为你的延迟重复增添破碎感
Parameters: Gain, Bass, Treble, Level 参数：增益、低音、高音、电平
BIT CRUSHER - a stereo bit crusher adapted from Ottobit Jr., use the bit crusher to recreate the character of low sample rate vintage digital delays BIT CRUSHER - 一款立体声位深压缩器，改编自 Ottobit Jr.，使用该位深压缩器重现低采样率复古数字延迟的特性。
Parameters: Sample Rate, Bit Depth, Level 参数：采样率、位深度、电平
FILTER CATEGORY 筛选类别
LADDER FILTER - our unique stereo ladder filters adapted from the Enzo, use the Frequency parameter to set the center frequency for both the left and right sides of the filter, use the Spread parameter to offset the center frequency on the right side. When the Spread parameter is at zero, both sides of the filter are set to the same frequency. LADDER FILTER - 我们独特的立体声梯形滤波器源自 Enzo，使用 Frequency 参数设置滤波器左右两侧的中心频率，利用 Spread 参数偏移右侧的中心频率。当 Spread 参数为零时，滤波器两侧频率相同。
Parameters: Frequency, Resonance, Topology, Spread 参数：频率、共振、拓扑、扩散
STATE VARIABLE FILTER - also adapted from Enzo, the State Variable filter offers another great flavor of creamy filtering to compliment the Ladder Filter. Like the Ladder Filter, the Spread parameter offsets the right filter frequency. 状态变量滤波器 - 同样源自 Enzo，状态变量滤波器提供了另一种醇厚的滤波风味，与梯形滤波器相得益彰。如同梯形滤波器，Spread 参数会偏移右侧滤波器的频率。
Parameters: Frequency, Resonance, Topology, Spread 参数：频率、共振、拓扑、扩散
COMB FILTER - a comb filter is a very short resonant delay that provides a series of notches across the frequency spectrum. The Comb Filter is perfect for adding clanging robotic tones to your delay structures. Again the Spread parameter provides an offset for the right channel filter. 梳状滤波器 - 梳状滤波器是一种非常短的共振延迟，能在频谱上产生一系列陷波。梳状滤波器非常适合为延迟结构增添刺耳的机械音效。Spread 参数同样可为右声道滤波器提供偏移量。
Parameters: Depth [milliseconds]. Resonance, Level, Spread 参数：深度[毫秒]。共振、电平、扩散
PARAMETRIC - LVX’s Parametric Filter is a single band parametric EQ. The Parametric Filter is especially useful in the Post Location to balance the overall frequency response of your delay. The Parametric Filter is a shelving filter, and the Gain ranges from - 10 dB to 10 dB which allows for precise boosts and cuts. 参数化 - LVX 的参数化滤波器是一款单频段参数均衡器。该滤波器特别适用于后期定位，以平衡延迟效果的整体频率响应。参数化滤波器是一种搁架式滤波器，增益范围从-10 dB 到 10 dB，可实现精确的提升和削减。
Parameters: Frequency, Resonance, Topology, Gain 参数：频率、共振、拓扑、增益
PITCH CATEGORY 音高类别
POLY CHROMA - LVX is a fully polyphonic chromatic pitch shifter. The only mono element, the Poly Chroma sums your stereo channels together and perfectly shifts the audio no matter how complicated the chords. POLY CHROMA - LVX 是一款全复音色度音高变换器。作为唯一的单声道元素，Poly Chroma 将您的立体声通道完美融合，无论和弦多么复杂，都能精准变换音频音高。
Parameters: Pitch, Mix 参数：音高，混音
HARMONY - the first of 3 pitch shifters adapted from the Hedra, the Harmony element is a 2 voice diatonic pitch shifter with independent pitch detection for each voice. HARMONY - 作为从 Hedra 适配而来的三款移调器中的首款，Harmony 元素是一款双声部自然音阶移调器，每个声部均具备独立的音高检测功能。
Parameters: Pitch Left, Pitch Right, Key, Scale, Glide, Mix 参数：左音高，右音高，键位，音阶，滑音，混音
MICRO TUNE - also from the Hedra. Micro Tune element provides independent micro pitch adjustments to each side of the stereo spectrum. The Micro Tune is perfect to add a similar detune effect as chorus without the regular pitch cycle of an LFO. Parameters: Pitch Left, Pitch Right, Mix MICRO TUNE - 同样源自 Hedra。Micro Tune 元件可对立体声频谱的每一侧进行独立的微调音高调整。Micro Tune 非常适合添加类似合唱的失谐效果，而无需 LFO 的常规音高周期。参数：左声道音高、右声道音高、混合比例
MONO CHROMA - the final element adapted from Hedra is the Mono Chroma. This element has independent tracking for each side of the stereo spectrum, optimized for single note lead lines, the Mono Chroma provides extra crisp pitch shifting. MONO CHROMA - 从 Hedra 改编的最后一个元素是 Mono Chroma。该元素对立体声频谱的每一侧进行独立跟踪，专为单音符主旋律线优化，Mono Chroma 提供了格外清晰的音高变换效果。
Parameters: Pitch Left, Pitch Right, Glide, Mix 参数：左音高、右音高、滑音、混合
LO-FI - this element is a dual version of the pitch shifter from the Ottobit Jr. The Lo-Fi element uses an early pitch shifting technique that creates modulated low fidelity voices. LO-FI - 这一元素是 Ottobit Jr.中音高变换器的双重版本。Lo-Fi 元素采用早期的音高变换技术，创造出经过调制的低保真人声效果。
Parameters: Pitch Left, Pitch Right, Mix 参数：左声道音高，右声道音高，混合度
MODULATION CATEGORY [MODULATE] 调制类别 [MODULATE]
CHORUS - adapted from the multimode modulation block in the Polymoon, this element provides true stereo chorus. Try setting the local Mix parameter to 100% for Vibrato. CHORUS - 源自 Polymoon 中的多模式调制模块，这一元素提供了真正的立体声合唱效果。尝试将局部混音参数设为 100%以获得颤音效果。
Parameters: Speed, Depth, Mix 参数：速度、深度、混音
FLANGER - also adapted from the Polymoon, this element is great for adding slow and cyclical peaking notches to the output of your delay structures FLANGER - 同样源自 Polymoon，这一元素非常适合为你的延迟结构输出添加缓慢且周期性的峰值陷波效果
Parameters: Speed, Depth, Feedback, Mix 参数：速度、深度、反馈、混合
DYNAMIC FLANGER - envelope driven flanging from the Polymoon, this element can provide a wide range of creative effects from subtle double-tracking, wild pitch bends, and deep flanging that tears across the frequency spectrum. DYNAMIC FLANGER - 源自 Polymoon 的包络驱动镶边效果，这一元素能提供从细腻的双轨叠加、狂野的音高弯曲到撕裂整个频谱的深沉镶边效果，创造广泛多样的创意音效。
Parameters: Attack Speed, Depth, Feedback, Direction, Mix 参数：Attack Speed（攻击速度）、Depth（深度）、Feedback（反馈）、Direction（方向）、Mix（混合）
CASSETTE - the Cassette element provides the warbles and degradations of a failing reel of tape. Use the HIGHS and LOWS controls to narrow your frequency response and replicate a failing and badly calibrated tape playback system. CASSETTE - 卡带元素模拟了一盘即将失效的磁带所产生的颤音和音质劣化效果。通过 HIGH（高频）和 LOW（低频）控制旋钮，您可以调整频率响应范围，重现一台状态不佳且校准不当的磁带播放系统的声音特性。
Parameters: Slip, Crinkle, Static, Highs, Lows, Mix 参数：滑移、褶皱、静电、高频、低频、混音
BARBERPOLE - another favorite from the Polymoon, you can use this stereo element to provide the illusion of endlessly spiraling notches running across the frequency spectrum. Setting direction to both creates a dramatic stereo spread. BARBERPOLE - Polymoon 的另一款热门效果，您可以使用这个立体声元素创造出频率谱上无限螺旋凹槽的幻觉。将方向设置为双向会产生引人注目的立体声扩散效果。
Parameters: Speed, Feedback, Direction [up, down, both] 参数：速度、反馈、方向[上、下、两者]
GRANULIZE - Granulize slices and repeats bite sized pieces of your audio. You can create multiple timbres from stuck buffer jitters to resonant micro freeze buzzes. You can even control the direction of the grain playback. Try controlling the Size and Repeats parameters with the Modifiers for evolving textures. SIZE is the length of the grain in milliseconds. REPEATS is the number of times a grain plays before a new grain is captured. And for Granulize, SPREAD controls how different the SIZE is between the Left and Right channels. When the SPREAD parameter is set to zero, the Left and Right channels are the same SIZE. GRANULIZE - 将音频切割成颗粒状片段并循环播放。您可以从卡顿的缓冲抖动到共振的微冻结嗡鸣中创造出多种音色。甚至还能控制颗粒播放的方向。尝试用调制器调整 Size（大小）和 Repeats（重复）参数，以生成不断变化的纹理。SIZE 表示颗粒长度（毫秒），REPEATS 代表新颗粒捕获前当前颗粒的播放次数。对于 Granulize 功能，SPREAD 参数控制左右声道间 SIZE 的差异程度——当 SPREAD 设为零时，左右声道的 SIZE 完全相同。
Parameters: Size, Repeats, Spread, Direction [fwd, rev] 参数：大小、重复次数、扩散度、方向[正向，反向]
RING MOD - the Ring Mod element completes the perfect trio of quintessential robotic effects along with the Bit Crush of the Preamp Category and the Comb Filter of the Filter Category. The Ring Mod provides a wide range of frequencies and sounds great in the feedback location of the delay structure where it progressively folds your audio with each repeat. RING MOD - 环形调制器元素与前置放大器类别的比特压缩和滤波器类别的梳状滤波器共同构成了机器人音效的完美三重奏。环形调制器提供广泛的频率范围，在延迟结构的反馈位置表现出色，随着每次重复逐渐折叠您的音频。
Try setting the Mix to 50% and the Frequency low to enter tremolo territory 尝试将混音设置为 50%，频率调低以进入颤音效果领域
Parameters: Frequency, Waveshape, Mix 参数：频率、波形、混合
11. midi cc table 11. midi cc 表
CONTROL CHANGE 控制变更
LVX CONTROL
RECEIVE VALUE RANGE 接收值范围
CC# 01
MIX
0 то 127 0 到 127
CC# 02
DRY TRIM 干修剪
0 то 127 0 到 127
CC# 03
WET TRIM 湿修剪
0 то 127 0 到 127
CC# 04
EXPRESSION PEDAL 表情踏板
0 то 127 0 到 127
CC# 05
PREAMP TYPE 前置放大器类型
0 то 18=018=0 FF 19 то 36=36= VOLUME PEDAL 37 то 54=54= TUBE 55 то 73=73= TRANSISTOR 74 то 91=91= OP-AMP 92 то 109=109= DRIVE 110 то 127=127= BITCRUSHER 0 то 18=018=0 FF 19 то 36=36= 音量踏板 37 то 54=54= 电子管 55 то 73=73= 晶体管 74 то 91=91= 运算放大器 92 то 109=109= 驱动 110 то 127=127= 位压缩器
CC# 06
PREAMP LOCATION 前置放大器位置
0 то 31=31= PRE + DRY 32 то 63 = PRE 64 то 95 = FDBK 96 tol27 = POST
CC# 07
PREAMP PARAMETER 1 前置放大器参数 1
0 то 127 0 到 127
CC# 08
PREAMP PARAMETER 2 前置放大器参数 2
0 то 127 0 到 127
CC# 09
PREAMP PARAMETER 3 前置放大器参数 3
0 то 127 0 到 127
CC# 10
PREAMP PARAMETER 4 前置放大器参数 4
0 то 127 0 到 127
CC# ll
PREAMP PARAMETER 5 前置放大器参数 5
0 то 127 0 到 127
CC# 12
PREAMP PARAMETER 6 前置放大器参数 6
0 то 127 0 到 127
CONTROL CHANGE LVX CONTROL RECEIVE VALUE RANGE
CC# 01 MIX 0 то 127
CC# 02 DRY TRIM 0 то 127
CC# 03 WET TRIM 0 то 127
CC# 04 EXPRESSION PEDAL 0 то 127
CC# 05 PREAMP TYPE 0 то 18=0 FF 19 то 36= VOLUME PEDAL 37 то 54= TUBE 55 то 73= TRANSISTOR 74 то 91= OP-AMP 92 то 109= DRIVE 110 то 127= BITCRUSHER
CC# 06 PREAMP LOCATION 0 то 31= PRE + DRY 32 то 63 = PRE 64 то 95 = FDBK 96 tol27 = POST
CC# 07 PREAMP PARAMETER 1 0 то 127
CC# 08 PREAMP PARAMETER 2 0 то 127
CC# 09 PREAMP PARAMETER 3 0 то 127
CC# 10 PREAMP PARAMETER 4 0 то 127
CC# ll PREAMP PARAMETER 5 0 то 127
CC# 12 PREAMP PARAMETER 6 0 то 127| CONTROL CHANGE | LVX CONTROL | RECEIVE VALUE RANGE |
| :--- | :--- | :--- |
| CC# 01 | MIX | 0 то 127 |
| CC# 02 | DRY TRIM | 0 то 127 |
| CC# 03 | WET TRIM | 0 то 127 |
| CC# 04 | EXPRESSION PEDAL | 0 то 127 |
| CC# 05 | PREAMP TYPE | 0 то $18=0$ FF 19 то $36=$ VOLUME PEDAL 37 то $54=$ TUBE 55 то $73=$ TRANSISTOR 74 то $91=$ OP-AMP 92 то $109=$ DRIVE 110 то $127=$ BITCRUSHER |
| CC# 06 | PREAMP LOCATION | 0 то $31=$ PRE + DRY 32 то 63 = PRE 64 то 95 = FDBK 96 tol27 = POST |
| CC# 07 | PREAMP PARAMETER 1 | 0 то 127 |
| CC# 08 | PREAMP PARAMETER 2 | 0 то 127 |
| CC# 09 | PREAMP PARAMETER 3 | 0 то 127 |
| CC# 10 | PREAMP PARAMETER 4 | 0 то 127 |
| CC# ll | PREAMP PARAMETER 5 | 0 то 127 |
| CC# 12 | PREAMP PARAMETER 6 | 0 то 127 |
0 To 21= STANDARD
22 то 42 = MuLTtTAP
43 то 63 = MULTIFLITER
64 то 85 = POLY
86 to 106 = ReVERSE
107 to 127 = SERIES| 0 To $21=$ STANDARD |
| :--- |
| 22 то 42 = MuLTtTAP |
| 43 то 63 = MULTIFLITER |
| 64 то 85 = POLY |
| 86 to 106 = ReVERSE |
| 107 to 127 = SERIES |
CC# 14
BYPASS
0 至 63 = FX 旁路
64 至 127 = FX 启用
0 то 63 = FX BYPASS
64 тo 127 = fX enable
0 то 63 = FX BYPASS
64 тo 127 = fX enable| 0 то 63 = FX BYPASS |
| :--- |
| 64 тo 127 = fX enable |
CC# 15
TIME
0 то 127 0 到 127
CC# 16
DELAY TYPE
0 то 42=42= DIGITAL
43 то 85 = BBD
86 то 127 = TAPE
0 то 42= DIGITAL
43 то 85 = BBD
86 то 127 = TAPE| 0 то $42=$ DIGITAL |
| :--- |
| 43 то 85 = BBD |
| 86 то 127 = TAPE |
CC# 17
LeEt Note division LeEt 音符分割
0 то 127 0 到 127
CC# 18
RIGHT NOTE DIVISION
0 то 127 0 到 127
CC# 19
FEEDBACK
0 то 127 0 到 127
CC# 20
CROSS FEEDBACK
0 то 127 0 到 127
CC# 21
delay Mod 延迟 Mod
0 то 127 0 到 127
CC# 22
delay Parameter l delay 参数 l
0 то 127 0 到 127
CC# 23
delay parameter 2 延迟参数 2
0 то 127 0 到 127
CC# 24
delay parameter 3
0 то 127 0 到 127
CC# 25
delay parameter 4 延迟参数 4
0 то 127 0 到 127
CC# 26
delay parameter 5 延迟参数 5
0 то 127 0 到 127
CC# 27
delay parameter 6 延迟参数 6
0 то 127 0 到 127
CC# 28
delay Parameter 7 延迟参数 7
0 то 127 0 到 127
CC# 29
delay parameter 8 延迟参数 8
0 то 127 0 到 127
CC# 30
delay parameter 9 延迟参数 9
0 то 127 0 到 127
CC# 31
delay parameter 10 延迟参数 10
0 то 127 0 到 127
CC# 32
delay parameter ll
0 то 127 0 到 127
CC# 13 delay Structure "0 To 21= STANDARD
22 то 42 = MuLTtTAP
43 то 63 = MULTIFLITER
64 то 85 = POLY
86 to 106 = ReVERSE
107 to 127 = SERIES"
CC# 14 BYPASS "0 то 63 = FX BYPASS
64 тo 127 = fX enable"
CC# 15 TIME 0 то 127
CC# 16 DELAY TYPE "0 то 42= DIGITAL
43 то 85 = BBD
86 то 127 = TAPE"
CC# 17 LeEt Note division 0 то 127
CC# 18 RIGHT NOTE DIVISION 0 то 127
CC# 19 FEEDBACK 0 то 127
CC# 20 CROSS FEEDBACK 0 то 127
CC# 21 delay Mod 0 то 127
CC# 22 delay Parameter l 0 то 127
CC# 23 delay parameter 2 0 то 127
CC# 24 delay parameter 3 0 то 127
CC# 25 delay parameter 4 0 то 127
CC# 26 delay parameter 5 0 то 127
CC# 27 delay parameter 6 0 то 127
CC# 28 delay Parameter 7 0 то 127
CC# 29 delay parameter 8 0 то 127
CC# 30 delay parameter 9 0 то 127
CC# 31 delay parameter 10 0 то 127
CC# 32 delay parameter ll 0 то 127| CC# 13 | delay Structure | 0 To $21=$ STANDARD <br> 22 то 42 = MuLTtTAP <br> 43 то 63 = MULTIFLITER <br> 64 то 85 = POLY <br> 86 to 106 = ReVERSE <br> 107 to 127 = SERIES |
| :--- | :--- | :--- |
| CC# 14 | BYPASS | 0 то 63 = FX BYPASS <br> 64 тo 127 = fX enable |
| CC# 15 | TIME | 0 то 127 |
| CC# 16 | DELAY TYPE | 0 то $42=$ DIGITAL <br> 43 то 85 = BBD <br> 86 то 127 = TAPE |
| CC# 17 | LeEt Note division | 0 то 127 |
| CC# 18 | RIGHT NOTE DIVISION | 0 то 127 |
| CC# 19 | FEEDBACK | 0 то 127 |
| CC# 20 | CROSS FEEDBACK | 0 то 127 |
| CC# 21 | delay Mod | 0 то 127 |
| CC# 22 | delay Parameter l | 0 то 127 |
| CC# 23 | delay parameter 2 | 0 то 127 |
| CC# 24 | delay parameter 3 | 0 то 127 |
| CC# 25 | delay parameter 4 | 0 то 127 |
| CC# 26 | delay parameter 5 | 0 то 127 |
| CC# 27 | delay parameter 6 | 0 то 127 |
| CC# 28 | delay Parameter 7 | 0 то 127 |
| CC# 29 | delay parameter 8 | 0 то 127 |
| CC# 30 | delay parameter 9 | 0 то 127 |
| CC# 31 | delay parameter 10 | 0 то 127 |
| CC# 32 | delay parameter ll | 0 то 127 |
{:[0" то "25=0" off "],[26" то "51=" coMPRESOR "],[52" то "76=" SwELL "],[77" то "102=" Diffusion "],[103" тo "127=" LIMITER "]:}\begin{aligned} & 0 \text { то } 25=0 \text { off } \\ & 26 \text { то } 51=\text { coMPRESOR } \\ & 52 \text { то } 76=\text { SwELL } \\ & 77 \text { то } 102=\text { Diffusion } \\ & 103 \text { тo } 127=\text { LIMITER } \end{aligned}
CC# 63
DYNAMIC LOCATION
{:[0" то "31=" PRE "+" DRY "],[32" то "63=" PRE "],[64" то "95=" FOBK "],[96" то "127=" Post "]:}\begin{aligned} & 0 \text { то } 31=\text { PRE }+ \text { DRY } \\ & 32 \text { то } 63=\text { PRE } \\ & 64 \text { то } 95=\text { FOBK } \\ & 96 \text { то } 127=\text { Post } \end{aligned}
CC# 64
DYNAMC PARAMETER I
0 то 127 0 到 127
CC# 65
DYNAMIC PARAMETER 2
0 то 127 0 到 127
CC# 66
dYNamic Parameter 3
0 то 127 0 到 127
CC# 67
DYNAMIC PARAMETER 4
0 то 127 0 到 127
CC# 68
dYNamic Parameter 5
0 то 127 0 到 127
CC# 69
DYNAMIC PARAMETER 6
0 то 127 0 到 127
CC# 70
PITCH TYPE
CC# 71
PITCH LOCATION 音高位置
{:[0" то "31=" PRE + DRY "],[32" то "63=" PRE "],[64" то "95=" = FOBK "],[96" то "127" = Post "]:}\begin{aligned} & 0 \text { то } 31=\text { PRE + DRY } \\ & 32 \text { то } 63=\text { PRE } \\ & 64 \text { то } 95=\text { = FOBK } \\ & 96 \text { то } 127 \text { = Post } \end{aligned}
CC# 72
PITCH PARAMETER 1
0 то 127 0 到 127
CC# 73
PITCH PARAMETER 2
0 то 127 0 到 127
CC# 57 delay parameter 36 0 то 127
CC# 58 delay parameter 37 0 то 127
CC# 59 delay Parameter 38 0 то 127
CC# 60 delay parameter 39 0 то 127
CC# 61 delay Parameter 40 0 то 127
CC# 62 DYNAMIC TYPE "0 то 25=0 off
26 то 51= coMPRESOR
52 то 76= SwELL
77 то 102= Diffusion
103 тo 127= LIMITER "
CC# 63 DYNAMIC LOCATION "0 то 31= PRE + DRY
32 то 63= PRE
64 то 95= FOBK
96 то 127= Post "
CC# 64 DYNAMC PARAMETER I 0 то 127
CC# 65 DYNAMIC PARAMETER 2 0 то 127
CC# 66 dYNamic Parameter 3 0 то 127
CC# 67 DYNAMIC PARAMETER 4 0 то 127
CC# 68 dYNamic Parameter 5 0 то 127
CC# 69 DYNAMIC PARAMETER 6 0 то 127
CC# 70 PITCH TYPE https://cdn.mathpix.com/cropped/2025_05_09_5837fb5f32dc3112c659g-27.jpg?height=293&width=348&top_left_y=1735&top_left_x=1181
CC# 71 PITCH LOCATION "0 то 31= PRE + DRY
32 то 63= PRE
64 то 95= = FOBK
96 то 127 = Post "
CC# 72 PITCH PARAMETER 1 0 то 127
CC# 73 PITCH PARAMETER 2 0 то 127| CC# 57 | delay parameter 36 | 0 то 127 |
| :--- | :--- | :--- |
| CC# 58 | delay parameter 37 | 0 то 127 |
| CC# 59 | delay Parameter 38 | 0 то 127 |
| CC# 60 | delay parameter 39 | 0 то 127 |
| CC# 61 | delay Parameter 40 | 0 то 127 |
| CC# 62 | DYNAMIC TYPE | $\begin{aligned} & 0 \text { то } 25=0 \text { off } \\ & 26 \text { то } 51=\text { coMPRESOR } \\ & 52 \text { то } 76=\text { SwELL } \\ & 77 \text { то } 102=\text { Diffusion } \\ & 103 \text { тo } 127=\text { LIMITER } \end{aligned}$ |
| CC# 63 | DYNAMIC LOCATION | $\begin{aligned} & 0 \text { то } 31=\text { PRE }+ \text { DRY } \\ & 32 \text { то } 63=\text { PRE } \\ & 64 \text { то } 95=\text { FOBK } \\ & 96 \text { то } 127=\text { Post } \end{aligned}$ |
| CC# 64 | DYNAMC PARAMETER I | 0 то 127 |
| CC# 65 | DYNAMIC PARAMETER 2 | 0 то 127 |
| CC# 66 | dYNamic Parameter 3 | 0 то 127 |
| CC# 67 | DYNAMIC PARAMETER 4 | 0 то 127 |
| CC# 68 | dYNamic Parameter 5 | 0 то 127 |
| CC# 69 | DYNAMIC PARAMETER 6 | 0 то 127 |
| CC# 70 | PITCH TYPE |  |
| CC# 71 | PITCH LOCATION | $\begin{aligned} & 0 \text { то } 31=\text { PRE + DRY } \\ & 32 \text { то } 63=\text { PRE } \\ & 64 \text { то } 95=\text { = FOBK } \\ & 96 \text { то } 127 \text { = Post } \end{aligned}$ |
| CC# 72 | PITCH PARAMETER 1 | 0 то 127 |
| CC# 73 | PITCH PARAMETER 2 | 0 то 127 |
CC# 74
PITCH PARAMETER 3
0 то 127 0 到 127
CC# 75
PITCH PARAMETER 4
0 то 127 0 到 127
CC# 76
PITCH PARAMETER 5
0 то 127 0 到 127
CC# 77
PITCH PARAMETER 6
0 то 127 0 到 127
CC# 78
FILTER TYPE 滤波器类型
0 то 25 = off
26 то 51=51= LADOER
52 to 76=76= state var
77 то 102=102= сомв
103 to 127 = PARAMETRC
0 то 25 = off
26 то 51= LADOER
52 to 76= state var
77 то 102= сомв
103 to 127 = PARAMETRC| 0 то 25 = off |
| :--- |
| 26 то $51=$ LADOER |
| 52 to $76=$ state var |
| 77 то $102=$ сомв |
| 103 to 127 = PARAMETRC |
CC# 79
FILTER LOCATION
0 то 31 = PRE + DRY
32 то 63=63= PRE
64 то 95=95= FDBK
96 то 127=127= Post
0 то 31 = PRE + DRY
32 то 63= PRE
64 то 95= FDBK
96 то 127= Post| 0 то 31 = PRE + DRY |
| :--- |
| 32 то $63=$ PRE |
| 64 то $95=$ FDBK |
| 96 то $127=$ Post |
CC# 80
FLITER PARAMETER I
0 то 127 0 到 127
CC# 81
Filter Parameter 2
0 то 127 0 到 127
CC# 82
FILTER PARAMETER 3
0 то 127 0 到 127
CC# 83
Filter parameter 4
0 то 127 0 到 127
CC# 84
FILTER PARAMETER 5
0 то 127 0 到 127
CC# 85
Filter parameter 6
0 то 127 0 到 127
CC# 86
MOD TYPE MOD 类型
0 то 15 = off
16 то 31=31= CHORUS
32 тo 47 = FLANGER
48 тo 63=63= dYN Flanger
64 то 79=79= CASSETTE
80 то 95=95= BARBERPOLE
96 to 11l=11 \mathrm{l}= GRANulZE
112 то 127 = RNG moo
0 то 15 = off
16 то 31= CHORUS
32 тo 47 = FLANGER
48 тo 63= dYN Flanger
64 то 79= CASSETTE
80 то 95= BARBERPOLE
96 to 11l= GRANulZE
112 то 127 = RNG moo| 0 то 15 = off |
| :--- |
| 16 то $31=$ CHORUS |
| 32 тo 47 = FLANGER |
| 48 тo $63=$ dYN Flanger |
| 64 то $79=$ CASSETTE |
| 80 то $95=$ BARBERPOLE |
| 96 to $11 \mathrm{l}=$ GRANulZE |
| 112 то 127 = RNG moo |
CC# 87
MOD LOCATION
0 то 31=31= PRE + DRY
32 то 63 = PRE
64 то 95=95= FDBK
96 тo 127=127= Post
0 то 31= PRE + DRY
32 то 63 = PRE
64 то 95= FDBK
96 тo 127= Post| 0 то $31=$ PRE + DRY |
| :--- |
| 32 то 63 = PRE |
| 64 то $95=$ FDBK |
| 96 тo $127=$ Post |
CC# 88
MOD PARAMETER 1
0 то 127 0 到 127
CC# 89
MOD PARAMETER 2
0 то 127 0 到 127
CC# 74 PITCH PARAMETER 3 0 то 127
CC# 75 PITCH PARAMETER 4 0 то 127
CC# 76 PITCH PARAMETER 5 0 то 127
CC# 77 PITCH PARAMETER 6 0 то 127
CC# 78 FILTER TYPE "0 то 25 = off
26 то 51= LADOER
52 to 76= state var
77 то 102= сомв
103 to 127 = PARAMETRC"
CC# 79 FILTER LOCATION "0 то 31 = PRE + DRY
32 то 63= PRE
64 то 95= FDBK
96 то 127= Post"
CC# 80 FLITER PARAMETER I 0 то 127
CC# 81 Filter Parameter 2 0 то 127
CC# 82 FILTER PARAMETER 3 0 то 127
CC# 83 Filter parameter 4 0 то 127
CC# 84 FILTER PARAMETER 5 0 то 127
CC# 85 Filter parameter 6 0 то 127
CC# 86 MOD TYPE "0 то 15 = off
16 то 31= CHORUS
32 тo 47 = FLANGER
48 тo 63= dYN Flanger
64 то 79= CASSETTE
80 то 95= BARBERPOLE
96 to 11l= GRANulZE
112 то 127 = RNG moo"
CC# 87 MOD LOCATION "0 то 31= PRE + DRY
32 то 63 = PRE
64 то 95= FDBK
96 тo 127= Post"
CC# 88 MOD PARAMETER 1 0 то 127
CC# 89 MOD PARAMETER 2 0 то 127| CC# 74 | PITCH PARAMETER 3 | 0 то 127 |
| :--- | :--- | :--- |
| CC# 75 | PITCH PARAMETER 4 | 0 то 127 |
| CC# 76 | PITCH PARAMETER 5 | 0 то 127 |
| CC# 77 | PITCH PARAMETER 6 | 0 то 127 |
| CC# 78 | FILTER TYPE | 0 то 25 = off <br> 26 то $51=$ LADOER <br> 52 to $76=$ state var <br> 77 то $102=$ сомв <br> 103 to 127 = PARAMETRC |
| CC# 79 | FILTER LOCATION | 0 то 31 = PRE + DRY <br> 32 то $63=$ PRE <br> 64 то $95=$ FDBK <br> 96 то $127=$ Post |
| CC# 80 | FLITER PARAMETER I | 0 то 127 |
| CC# 81 | Filter Parameter 2 | 0 то 127 |
| CC# 82 | FILTER PARAMETER 3 | 0 то 127 |
| CC# 83 | Filter parameter 4 | 0 то 127 |
| CC# 84 | FILTER PARAMETER 5 | 0 то 127 |
| CC# 85 | Filter parameter 6 | 0 то 127 |
| CC# 86 | MOD TYPE | 0 то 15 = off <br> 16 то $31=$ CHORUS <br> 32 тo 47 = FLANGER <br> 48 тo $63=$ dYN Flanger <br> 64 то $79=$ CASSETTE <br> 80 то $95=$ BARBERPOLE <br> 96 to $11 \mathrm{l}=$ GRANulZE <br> 112 то 127 = RNG moo |
| CC# 87 | MOD LOCATION | 0 то $31=$ PRE + DRY <br> 32 то 63 = PRE <br> 64 то $95=$ FDBK <br> 96 тo $127=$ Post |
| CC# 88 | MOD PARAMETER 1 | 0 то 127 |
| CC# 89 | MOD PARAMETER 2 | 0 то 127 |
CC# 90
MOD PARAMETER 3
0 то 127 0 到 127
CC# 91
MOD PARAMETER 4 MOD 参数 4
0 то 127 0 到 127
CC# 92
mod parameter 5 mod 参数 5
0 то 127 0 到 127
CC# 93
MOD PARAMETER 6 MOD 参数 6
0 то 127 0 到 127
CC# 94
LOOPER LOCATION
0 то 25 = PRE + DRY
26 то 51=51= PRE
52 то 76=76= FEEDBACK
77 то 102=102= POST
103 то 127 = POST MX
0 то 25 = PRE + DRY
26 то 51= PRE
52 то 76= FEEDBACK
77 то 102= POST
103 то 127 = POST MX| 0 то 25 = PRE + DRY |
| :--- |
| 26 то $51=$ PRE |
| 52 то $76=$ FEEDBACK |
| 77 то $102=$ POST |
| 103 то 127 = POST MX |
To engage TUNER, HOLD 3 + TAP footswitches. Notes are automatically detected and turn green when accurately tuned. Tuner reference frequency can be adjusted if desired.
14. - וogats
GLOBALS is located at the end of the EDIT PAGES. To reach the end, continue to turn C3 knob [clock-wise] and cycle through all categories until you reach GLOBALS. For a shortcut to GLOBALS, it is also behind SYSTEM INFO. See map. Global settings affect all presets and do not change per preset.
These settings are universal to the entire LVX and do not change with the presets.
NOISE GATE: Sets the threshold to enable the gate to help with noisy setups
EDIT PAGE: Text View or Graphic View
SPILLOVER: With Spillover enabled, echoes from your last preset overlap with your current preset during transitions. ^(1){ }^{1} [The Spillover needs time to fully decay for the previous preset before it can begin a new spillover for the current preset.]
DELAY TRAILS: With trails enabled, your echoes will decay naturally when the LVX is bypassed TAP GLIDE: With glide enabled delay times entered with tap tempo will smoothly transition
RELAY BYPASS: Buffered Bypass or Relay Bypass [mono input and output only] ^(2){ }^{2}
INPUT LEVEL: Instrument or Line/Synth, if clipping occurs in Instrument mode, choose Line/Synth
KILL DRY: When kill dry is enabled, the LVX only passes audio when active. In bypass, the LVX is muted. This is useful when working with an external mix control used in some amplifiers, processors, and mixing boards.
BRIGHTNESS: Sets screen brightness from 0 to 100%100 \%
LOGO LIGHT: Sets logo light brightness from 0 to 100%
TUNER REFERENCE: Set the tuner reference from 425 Hz to 455 Hz
TUNER OUT: Mute or Bypass
TEMPO: Sets the global tempo
TEMPO DISP: Milliseconds or BPM TEMPO DISP: 毫秒或 BPM
TEMPO SELECT: Select Preset or Global 速度选择：选择预设或全局
TACTILE: Disable the Tactile View Pop Up
MIDI CHANNEL: 1 through 16, or OMNI MIDI 通道：1 至 16，或 OMNI
MIDI CLOCK - Allows you to choose to LISTEN or IGNORE MIDI Beat Clock globally.
MIDI OUT: Select MIDI Out or MIDI Thru. When MIDI Thru is enabled, MIDI data received on the MIDI In jack is passed to the MIDI Out jack
LVX features a stereo Analog Mix. Analog Mix is always used unless Spillover is Enabled or a processing element is put in the PRE + DRY or POST MIX locations.
LVX features a mono Relay Bypass selectable in the GLOBALS VIEW edit page. Stereo input and output connections necessitate automatically disabling the Relay and switching LVX to Analog Buffered Bypass. NOTE: Spillover, Trails, and Kill Dry all automatically engage Analog Buffered Bypass if they are selected. This happens transparently in the background in order to always maintain the highest signal integrity.
15. text vew (antrenative view of eni paes)
The default appearance of the EDIT PAGE is GRAPHIC VIEW, which contain orbiting bubbles that allow for a focused approach to editing. An alternative view of the EDIT PAGE is TEXT VIEW which displays 6 parameters per page. Turn C3 to cycle through categories. 6 knobs control settings simultaenously. You can change from GRAPHIC VIEW to TEXT VIEW in GLOBALS. In GLOBALS, turn C1 to carousel to EDIT PAGE. Turn C2 and change from GRAPHIC VIEW to TEXT VIEW.
6 SIMULTANEOUS KNOB CONTROL 6 个同步旋钮控制
TEXT VIEW edit page [when set] utilizes 6 knobs to simultaneously control settings. See knobs indicated with grey arrows.
16. हxporimg prastrs
We offer a free Meris editor/librarian called prEDITOR v2 compatible for both LVX and MercuryX. prEDITOR v2 is designed to allow you to quickly and easily export/import presets, organize, and manage full libraries. You can also sculpt your sounds on-the-fly with new heights in speed. All functions of the hardware are now laid out with super easy I/O capabilities using prEDITOR.
Note: LVX must be connected via MIDI using a MIDI device or interface as well as properly powered by a solid power supply. For more information, please visit prEDITOR v2 webpage and watch our Youtube tutorial.
17 - factory reset
To put your LVX back to factory fresh condition, press and hold C3 when powering up the LVX to enter the Factory Reset View. From the Factory Reset View, press C1\mathbf{C 1} to start the Factory Reset which resets all presets and globals, or press C2\mathbf{C 2} to cancel the reset and start the LVX normally. NOTE: Be sure to back up your custom presets via midi sysex. Factory reset will erase all user edits to LVX factory presets.
18 - firmware update
To enter firmware update mode, press and hold footswitch 1\mathbf{1} and 3\mathbf{3} while powering up LVX.
The screen will show a Copy File graphic screen. Connect to your computer via the rear USB C jack. LVX will appear on your computer as a USB drive. When updates are available, drag and drop the latest LVX firmware image [downloadable from http:// www.meris.us/product/lvx/] from your computer onto the LVX drive. The LVX will display a load meter. When the load meter is full and your computer signals that it is done with the copy, eject the LVX drive before unplugging USB C cable.
Power Cycle graphic screen will display. Unplug and replug the power from the LVX to complete the update.
A
ATTACK [Compressor]: The amount of time it takes for the compressor to turn down any input audio that crosses the compressor’s threshold. Fast Attack creates a consistent, controlled volume. Long Attack leads to a punchier sound.
ATTACK SPEED [Dynamic Flanger]: The speed at which the Flanger’s Envelope responds to your input signal.
ATTACK TIME [Swell]: The length of time for a swell to reach full volume. This time starts when a pick attack [or transient) is detected.
B
BALANCE [Volume Pedal]: Panning control between left and right channels. - 100%100 \% results in a fully right channel signal, 100%100 \% is fully left.
BASS [Drive]: Adjustment for low-end frequencies in the Drive effect.
BIT DEPTH [Bit Crusher]: Changes the bit depth from 1 bit to 32 bits, crushing the input signal and decreasing dynamic range.
C
CRINKLE [Cassette]: Adds fluctuations to the input audio that simulate the creases and folds of a damaged magnetic tape
D
DENSITY [Diffusion]: Adds reflections to the short time delays simulating highly reflective walls in a small space. Use this parameter to soften and smear the your audio
DEPTH [Chorus, Flanger, Dynamic Flanger]: The intensity of modulation. Lower values translate to subtle movement while higher values create strong, detuned effects.
DIRECTION [Dynamic Flanger, Barberpole, Granulize]:
[up, down, both] For the Dynamic Flanger, ‘Up’ sets both of the stereo flangers to track from low frequency to high frequency when the input gets louder, ‘Down’ sets both flangers to track from high to low frequency, and ‘Both’ set the Left Flanger to track from high to low and the Right Flanger to track from low to high.
[up, down, both] For the Barberpole, ‘Up’ sets both of the stereo phasers to sweep from low frequency to high frequency, ‘Down’ sets both phasers to sweep from high to low frequency, and ‘Both’ set the left phaser to sweep from low to high and the right phaser to track from high to low.
[fwd, rev] For Granulize, direction determines whether the repeats are repeated straight or reversed.
F
FEEDBACK [Flanger, Dynamic Flanger, Barberpole]: Controls the amount of signal fed back into the modulation circuit, creating a strong, resonant effect.
FREQUENCY [Ladder, State Variable, Parametric]: The selective cutoff point in the Filter effect. See Topology to learn how the Frequency interacts with the different Filter structures.
GAIN [Swell, Tube, Transistor, Op-Amp, Drive, Bit Crusher]: Adjustment for volume before the Preamp effect.
GLIDE [Harmony, Mono Chroma]: When activated, glide provides smoothing to any assigned control signal [either from the Modifiers or Expression pedals] to create a smooth transition between pitches. With Glide On, you can use the expression pedal or modifier to smoothly sweep between pitches, similar to a whammy-eque experience. With Glide Off the expression pedal or modifier will hard step through the pitch intervals for an arpeggiated effect.
[fwd, rev] For Granulize, direction determines whether the repeats are repeated straight or reversed.
H
HIGHS [Cassette]: Shelf EO cut for high-end frequencies, unity gain at 100%.
K
KEY [Harmony]: Select the key harmonized pitches are snapped to.
L
LEVEL [Volume Pedal, Tube, Transistor, Op-Amp, Drive, Bit Crusher]: Adjustment for volume after the Preamp.
LOWS [Cassette]: Shelf EQ cut for low-end frequencies, unity gain at 100%.
LPF [Diffusion]: Abbreviation for Low Pass Filter. A filter that passes signal below its cutoff frequency, effectively cutting high frequencies.
M
MIX [Compressor, Poly Chorma, Harmony, Micro Tune. Mono Chroma, Lo-Fi, Chorus, Flanger, Dynamic Flanger, Cassette, Ring Mod]: Control over the amount of the wet signal mixed with dry, allowing for subtle use.
P
PITCH [Poly Chroma]: Polyphonic pitch adjustment in 20 cent increments [m2 = minor second / half step].
PITCH Left/Right [Harmony, Micro Tune, Mono Chroma, Lo-Fi]: Independent, monophonic pitch shifting for left and right channels of a stereo field. This parameter allows for precise control over pitch interval [ m2=\mathrm{m} 2= minor second /// half step].
R
RATIO [Compressor]: Determines the amount of compression applied. Higher ratios result in a more aggressive compression effect. Lower ratios make for subtle compression.
RELEASE [Compressor, Limiter]: When the input volume drops below the Compressor Threshold, Release determines the amount of time for the compression effect to return to neutral. Slow Release creates a smooth, natural compression effect. Fast Release creates a loud, even signal, often described as a “pumping” effect.
REPEATS [Granulize]: The number of granular repeats; spread function offsets number of repeats between left and right channels.
RESONANCE [Ladder, State Variable, Parametric]: Sets the range of frequencies [around the center Frequency, that are allowed to pass through the filter. At lower settings, more frequencies are allowed to pass through the filter, at highersettings less frequencies are allowed through.
SAMPLE RATE [Bit Crusher]: Changes the sample rate from 20 Hz to 48 kHz , lower sample rates introduce a unique ailsing effect.
SCALE [Harmony]: Alters the harmony intervals based on which scale you chose [ie. major 3rds or minor 3rds].
SIZE [Granulize]: Length of repeat grains from 1 millisecond to 600 milliseconds. SIZE [Granulize]：重复颗粒的长度从 1 毫秒到 600 毫秒。
SLIP [Cassette]: Adds slow, randomized fluctuations to the input audio that simulate a failing motor or slipping gear of a cassette tape player. Higher parameter values result in greater detuning effect. SLIP [卡带]：为输入音频添加缓慢、随机的波动，模拟卡带播放器电机故障或齿轮打滑的效果。参数值越高，产生的音高偏移效果越明显。
SPEED [Chorus, Flanger]: The rate of change in modulation effects. For most effects, .5 hz is a great starting point. SPEED [合唱，镶边效果器]: 调制效果的变化速率。对于大多数效果来说，0.5 赫兹是一个很好的起始点。
SPREAD [Ladder, State Variable, Comb, Granulize]: Offsets the parameter on the right side. When the Spread parameter is at zero, both left and right channels of the effect behave the same way. SPREAD [阶梯、状态变量、梳状、颗粒化]：偏移右侧参数。当 Spread 参数为零时，效果的左右声道行为一致。
STATIC [Cassette]: Introduces high frequency noise to the input audio, simulating electrical interference in a failing cassette tape player. STATIC [Cassette]: 为输入音频引入高频噪声，模拟故障卡带播放器中的电气干扰。
T
THRESHOLD [Compressor, Limiter]: The amount of volume needed to trigger the Compressor/Limiter effect. Topology [Ladder, State Variable, Parametric]: 阈值 [压缩器, 限制器]: 触发压缩器/限制器效果所需的音量大小。拓扑结构 [梯形, 状态变量, 参数式]:
LOWPASS: A filter that passes signal below its cutoff frequency, effectively cutting high frequencies. 低通滤波器：一种允许低于截止频率的信号通过的滤波器，有效削减高频部分。
BANDPASS: A filter with a selective, narrow bandwidth. This attenuates both high and low end frequencies. BANDPASS：一种具有选择性窄带宽的滤波器，可同时衰减高频和低频信号。
HIGHPASS: A filter that passes signal above its cutoff frequency, effectively cutting low frequencies. HIGHPASS：一种允许高于截止频率信号通过的滤波器，有效削减低频。
TREBLE [Drive]: Add or subtract high-end frequencies in the Drive effect. 高音 [Drive]: 在 Drive 效果中添加或减少高频段频率。
W
WAVESHAPE [Ring Mod]: Select the shape the Ring Mod effect follows. The Sine waveshape is smooth and even, while the Square waveshape is abrupt and noticeable. WAVESHAPE [环形调制]：选择环形调制效果跟随的波形。正弦波形平滑均匀，而方波波形则突兀且明显。
Conversion: 24 bit A/D and D/A
DSP: 32 bit floating point
Sample Rate: 48000 Hz
Input Impedance: 1 Meg Ohm
SNR: 115 dB Typical
Frequency Response: 2Hz-20kHz
Max Input Level: "+9 dBu [instrument level setting]
+12.5 dBu [line/synth level setting]"
Power: 9V DC center-negative, 300mA, 2.1mm jack
Bypass: Selectable True Bypass [Relay) or Analog Buffered Bypass
Dimensions: 7.25 " wide, 4.5" long, 2" tall
Weight: 24 ounces| Conversion: | 24 bit A/D and D/A |
| :--- | :--- |
| DSP: | 32 bit floating point |
| Sample Rate: | 48000 Hz |
| Input Impedance: | 1 Meg Ohm |
| SNR: | 115 dB Typical |
| Frequency Response: | $2 \mathrm{~Hz}-20 \mathrm{kHz}$ |
| Max Input Level: | +9 dBu [instrument level setting] <br> +12.5 dBu [line/synth level setting] |
| Power: | 9V DC center-negative, 300mA, 2.1mm jack |
| Bypass: | Selectable True Bypass [Relay) or Analog Buffered Bypass |
| Dimensions: | 7.25 " wide, 4.5" long, 2" tall |
| Weight: | 24 ounces |
FC
Federal Communications Commission Radio Frequency Interference Statement 联邦通信委员会无线电频率干扰声明 off and on. the user is encouraged to try to correct the interference by one or more of the following measures: 开和关。鼓励用户尝试通过以下一种或多种措施来纠正干扰：
-Reorient or relocate the receiving antenna. -重新调整或重新定位接收天线。
-Increase the separation between the equipment and receiver. -增加设备与接收器之间的距离。
-Connect the equipment into an outlet on a circuit different from that to which the receiver is connected. -将设备连接到与接收器连接的电路不同的插座上。
-Consult the dealer or an experienced radio/TV technician for help. - 请咨询经销商或有经验的收音机/电视技术员以获取帮助。 interference that may cause undesired operation. 可能导致不良操作的干扰。
This equipment requires shielded interface cables in order to meet FCC class B limit. 该设备需使用屏蔽接口电缆，以满足 FCC B 类限制要求。
Any unauthorized changes or modifications not expressly approved by the party responsible for compliance could void the user’s authority to operate the equipment. 未经负责合规方明确批准的未经授权更改或修改，可能会导致用户失去操作设备的权限。
off and on. the user is encouraged to try to correct the interference by one or more of the following measures:
interference that may cause undesired operation.